Los pliegues de Moscú: la dilatación de la ciudad en El maestro y Margarita de Bulgákov
Abstract
When the devil arrives at Moscow after the First World War, the city expands in two levels, one realistic, with a satiric and critic description of the places, and other fantastic, where the history becomes more poetic. A third level contains a literary reflexion about the limit between reality and fiction, on a symbolic place where the characters of three levels meet each other.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Revista de Filología Románica is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.