Música, democratización y omnivoridad

  • Antonio Ariño Villarroya
Keywords: Musical practices, Cultural legitimacy, Omnivorousness, Regime of musical consumption, Medited audition,

Abstract

In the field of the analysis of culture, the theory of omnivorousness holds that aesthetic tastes have overcome the mono-legitimist outline based on the hierarchical distinction between high culture and popular culture, becoming more and more tolerant and varied each day. In this paper, parting from the analysis of musical practices in Spain, in the context of the growing diffusion of the mediated autidition, we study the evolution of the musical preferences; and we outline the concept of regime of cultural consumption (musical, in this case) as an analytical tool which is more complex and adequate than omnivorousness.

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Published
2008-04-10
How to Cite
Ariño Villarroya A. (2008). Música, democratización y omnivoridad. Política y Sociedad, 44(3), 131-150. https://revistas.ucm.es/index.php/POSO/article/view/POSO0707330131A
Issue
Vol. 44 No. 3 (2007)
Section
Articles

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