Dystopia of truth: social fear in the Charlie Hebdo terrorist attack
Abstract
The redefinition of the interpretative frameworks of truth is one of the features of modern Western society. The factual elements of information have ceased the referential protagonist of the Enlightenment and, today, we are immersed in a chaotic scenario where multiple truths about the same social phenomenon converge. In the post-truth era, the emotional relation with the audience has become an essential part of legitimizing the plausibility of information. The aim of this research is to analyze the communication strategies used to transmit social fear through the analysis of two contrasting news items on the Charlie Hebdo attack. To address this purpose, the methodology of audiovisual interpretative analysis based on the interdependence between the object, the socio-cultural context of production and the impact of the news on the audience has been used. One of the most important conclusions that this study reveals is that the expression of collectively accepted emotions is the result of the conjunction of the referential (logos) and emotional (pathos) elements of information.
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