Brown skin color in mexican cinema. Analysis of contemporary class discourse

Keywords: film representations, Mexican cinema, racism, brown complexion

Abstract

Racism and classism are categories used in the representations of actions and characters in Mexican films and other audiovisual works throughout their history, which is found in relation to many of the social problems - discrimination, exclusion, lack of social mobility - that continue to be experienced in the country. The work carries out an analysis of the social representations of classism related to a dark skin color, in a sample of Mexican films from the decade between 2011 and 2020, some of them identified by film critics as classist. The chosen methodology combines the textual analysis of specific scenes (studying film language such as the positioning of the camera, the location of the characters, photography, art direction or sound) and of characters (physical-physiological, psychological and sociological), comparing those with dark skin and light skin and the situations, times, spaces and a whole series of categories. The results indicate that the representation of skin type (brown/white) is related to that of social class (high/low), so all the characters analyzed in the dark skin group are presented as being of middle-low social class.

Downloads

Download data is not yet available.

Author Biographies

Alan Jair Tapia, Benemérito Universidad Autónoma de Puebla

Licenciado en Comunicación por la Benemérita Universidad Autónoma de Puebla, se encuentra cursando la Maestría en Estudios y Producción de la Imagen en la Benemérita Universidad Autónoma de Puebla (Puebla, México). Es productor y creador visual.

Alejandro Jiménez-Arrazquito, Benemérita Universidad Autónoma de Puebla

Doctor en Medios, Comunicación y Cultura por la Universidad Autónoma de Barcelona. Maestro en Psicología Clínica y Psicoterapia por la Universidad Iberoamericana-Puebla. Licenciado en Ciencias de la Comunicación por la Universidad de las Américas-Puebla. Profesor-investigador de tiempo completo de la Facultad de Ciencias de la Comunicación de la Benemérita Universidad Autónoma de Puebla. Se dedica al estudio de las representaciones sociales en medios audiovisuales, especialmente sobre diversidad sexo-genérica. Miembro fundador y Coordinador de la Maestría en Estudios y Producción de la Imagen. Miembro fundador del Cuerpo Académico Consolidado:Imagen, Memoria e Investigación Social. Es candidato al Sistema Nacional de Investigadores del Conacyt. También se ha desempeñado como realizador de documentales. Ha impartido cursos sobre lenguaje y producción audiovisual, apreciación cinematográfica, video documental, entre otros. Ha sido director de tesis sobre análisis de representaciones sociales en el cine y de realización de documentales.

ne y de realización de documentales.

Ana Sedeño-Valdellos, Universidad de Málaga

PhD in Audiovisual Communication and Professor in the Department of Audiovisual Communication and Advertising at the University of Malaga (Spain). Her research deals with music in relation to audiovisual media (The language of the video and contemporary film music) and audiovisual practices in the contemporary scene from an historical or educational perspective, with special emphasis on facts art as the VJ, the mapping or videodance. In connection with them she has published several books such as "Language of the music video", "Contemporary Music in Film", "Analysis of contemporary cinema: aesthetic strategies, narrative and staging" or "History of video art in Spain". Some of her articles are publish in several academics reviews.

View citations

Crossmark

Metrics

Published
2024-06-05
How to Cite
Jair Tapia A., Jiménez-Arrazquito A. y Sedeño-Valdellos A. (2024). Brown skin color in mexican cinema. Analysis of contemporary class discourse. Mediaciones Sociales, 23, e-93466. https://doi.org/10.5209/meso.93466
Section
Articles