Striving: Feeling the sublime

Riferimenti bibliografici

Brandt, B. (1989), “The deduction of the critique of judgement: Comments on Hampshire and Horstmann”, en Förster, E. (coord.) Kant’s Transcendental Deductions: The Three Critiques, Stanford University Press, Stanford, pp. 177-92.

Clewis, R.R. (2009). The Kantian Sublime and the Revelation of Freedom, Cambridge University Press, New York.

Cohin, A. (2018). “Rational Feelings”, en Sorensen, K. – Williamson, D. Kant and the Faculty of Feeling. University of Cambridge, Cambridge (UK) – New York.

Deligiorgi, K. (2014), “The pleasures of contra-purposiveness: Kant, the Sublime and Being Human”, The Journal of Aesthetics and Art Criticism. Vol. 72 (1), pp. 25-35.

Escoubas, E. (1993), “Kant or the Simplicity of the Sublime”, en Courtine, J.F. (coord.), Of the Sublime: Presence in Question, New York State University Press, New York, pp. 55- 70.

Gasche, R. (2003), The idea of Form: Reading Kant’s Aesthetics, Stanford University Press, Stanford (California).

Noûs

Guyer, P. (1990b), “Feeling and Freedom: Kant on Aesthetics and Morality”, The Journal of Aesthetics and Art Criticism. Vol.48 (2), pp. 137-146.

Helfer, Μ.Β. (1996), The retreat of representation. The concept of Darstellung in German Critical Discourse, State Universtiy of New York, Albany.

Horstmann, R. P. (2018), Kant’s Power of Imagination, Cambridge University Press, Cambridge (UK) – New York.

Kirwan, J. (2006), The aesthetic in Kant, Continuum, London – New York.

Lyotard, J.-F. (1994), Lessons on the Analytic of the Sublime: Kant’s Critique of Judgment

[sections] 23-29, Stanford University Press, Stanford, California.

Makkreel, R. (1984), “Imagination and Temporality in Kant’s Theory of the Sublime”, The

Journal of Aesthetics and Art Criticism, vol. 42 (3), pp. 303-315.

Makkreel, R. (1997), “On Sublimity, Genius and the Explication of Kantian Aesthetic Ideas”, en Parret, H. (ccord.), Kant’s Aesthetics / Kants Aesthetik, Walter de Gruyter, Berlin, pp.615-629.

Nuzzo, A. (2008), Ideal Embodiment: Kant’s Theory of Sensibility, Indiana University Press, Bloomington – Indianapolis.

Rogozinski, J. “The Gift of the World”, en Courtine, J.F. (coord.), Of the Sublime: Presence in Question, New York State University Press, New York, pp. 133-156.

Schubach, A. (2017), “Kants konzeption der geometrischen Darstellung”, Kant – Studien, vol.108 (1), pp.19-54.

Zammito, J.H. (1992), The Genesis of Kant’s Critique of Judgment, University of Chicago Press, Chicago – London.

Zuckert, R. (2007), Kant on Beauty and Biology: An interpretation of the Critique of Judgment. Cambridge University Press, New York.