Lyotard and Kant on the State of the Sublime in Art

Riferimenti bibliografici

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Crowther, Paul, (1989), The Kantian Sublime: From Morality to Art, Oxford Philosophical Monographs. Oxford: Clarendon Press.

Ferguson, Frances, (1992), Solitude and the Sublime: Romanticism and the Aesthetics of Individuation, New York: Routledge.

Guyer, Paul, (2006), Kant, Routledge Philosophers. New York, NY: Routledge.

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Lyotard, Jean- François, (2010), ‘Answering the Question: What Is Postmodernism?’, Philosophers on Art from Kant to the Postmodernists: A Critical Reader, edited by Christopher Kul-Want, pp. 237–49. New York: Columbia University Press.

Lyotard, Jean-François, (1994), Lessons on the Analytic of the Sublime: Kant’s Critique of Judgment, [Sections] 23-29, Meridian. Stanford, Calif: Stanford University Press.

Lyotard, Jean-François, (1991), The Inhuman: Reflections on Time, Stanford, California: Stanford University Press.

Lyotard, Jean-Francois, (1988), The Differend: Phrases in Dispute, Manchester: Manchester Univ. Press.

Lyotard, Jean-François, (1984), The Postmodern Condition: A Report on Knowledge. Theory and History of Literature, v. 10, Minneapolis: University of Minnesota Press.

Newman, Barnett, (1967), Now II. Acrylic on canvas. The Barnett Newman Foundation, New York/ Artists Rights Society (ARS), New York. https://www.menil.org/collection/objects/6150-now-ii.

Newman, Barnett, (1948), Onement, I. Oil, canvas. Museum of Modern Art (MoMA), New York City, NY, US. https://www.wikiart.org/en/barnett-newman/onement-i-1948.

Zepke, Stephen, (2017) Sublime Art: Towards an Aesthetics of the Future, Crosscurrents. Edinburgh: Edinburgh University Press.