Viaje en el espejo - La obra del espejo. fragmentación y recomposición de lo imaginario

  • Arthur Thomassin
Keywords: Aesthetics, Projection, Consciousness, Creativity, Expression, Human being

Abstract

«Travel in the mirror» propose several cognitive trajectories which underline «screening» phenomenon of «projection» who explain the coherence between the functional and the behavioral when it is about communication and about sensitive expression. The «play» between the conscious and under specific conscious to the Human being, makes this one remarkable unlike the nature. His creativity based by the biological constitution allows him to create in its image, the company and the environment modelled by the communication. He is determined as craftsman of his «evil» or «well-being» through his meaning representations of which it becomes aware a posteriori. Root and ramifications due to the «perpetual motion» it is at the same time the «soma» of a network and the reference of the functioning of the material in alive set. To wonder about the report between the visible and the invisible, between the means of expression and the functioning of the communication, it is to understand the dialectic of the evolution between the artist and the creator. The aesthetics determines so various «figures» of the «living matter» the internal movements of which reflect the languages of a body always «contemporary». Unlike the Nature and unlike its «Nature», the human being at need «to see itself» to make its historic consciousness. This vital aspect makes him «remarkable» and «singular».

Downloads

Download data is not yet available.

Crossmark

Metrics

Published
2009-09-09
How to Cite
Thomassin A. . (2009). Viaje en el espejo - La obra del espejo. fragmentación y recomposición de lo imaginario. Escritura e Imagen, 5, 63-95. https://revistas.ucm.es/index.php/ESIM/article/view/ESIM0909110063A
Section
Articles