Artistic Realism and Cinematic image: an Aesthetic Problem from Vertov to Kluge
Abstract
This paper aims to reconstruct some of the expectations associated to cinema and its possibility of a true representation of reality. Thus, we start analyzing the first film theories of the twentieth century and Vertov´s avant-garde project. Then, we make a brief mention of some of the reasons that explain why these expectations began to be called into question since the end of World War II and were definitely abandoned in the 70s. Finally, we consider the way in which the film director Alexander Kluge has resumed the realistic project and has sought to reconfigure it in order to save its validity in the new media context.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Escritura e Imagen is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.