Synergies between expression and content in the social themed films of Nieves Conde: the case of Todos somos necesarios (1956)
Abstract
The present text intends to expose the fertile significant apparatus displayed in the social themed feature films directed by José Antonio Nieves Conde through the textual analysis of a paradigmatic film such as Todos somos necesarios, demonstrating the way in which the enunciative mechanisms forge and reinforce the discourse of the text, revealing an enunciative device of unusual richness and singular hybridity, whose images approach an apparently realistic register, taking paradoxically opposite aesthetic options as a reference in their high degree of stylization.
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