• Presentazione: Contro la barbarie: Elsa Morante e la scrittura

  Elisa Martínez Garrido, Flavia Cartoni

  9-10

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Articles

• Elsa Morante and the Cinema: "L’Isola di Arturo" by Damiano Damiani

  Marco Bardini

  11-29

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• Oedipus, Ninetto, Davide: Sin and Blindness between Morante and Pasolini

  Marco A. Bazzocchi

  31-42

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• Medea in "Aracoeli"? A Note (without Protection) to Search a Possible Mythological Mark in Elsa Morante

  Marco Carmello

  43-61

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• "L’Isola di Arturo". The Passage from Microcosmos to Macrocosmos

  Flavia Cartoni

  63-74

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• "Senza i conforti della religione" or the Impossible Novel. Writings at the Limite.

  Claude Cazalé Bérard

  75-89

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• Visions of Extermination in "La Storia"

  Concetta D'Angeli

  91-100

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• The Parody in Elsa Morante’s Novels

  Lucia Dell'Aia

  101-112

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• The Language of Uprising in "Il mondo salvato dai ragazzini" “A Linguistic System so Comunicative as Scandalize”

  Angela Di Fazio

  113-130

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• The Paradoxes of "Alibi"

  Biancamaria Frabotta

  131-142

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• The Wood in "La Storia"

  Elisa Martínez Garrido

  143-155

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• A Diegetic and Thematic Itinerary into Elsa Morante’s Early Works

  Elena Porciani

  157-172

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• The History of Morante on the Screen

  Hanna Serkowska

  173-183

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• The Factory of Time: Temporal Structures in "Aracoeli"

  Giuseppe Stellardi

  185-200

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• From Unfinished Novel "Nerina" to "Lo scialle andaluso": Genesis of a Tale

  Giuliana Zagra

  201-213

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• Transfiguring the World through Fantasy. Fantastic Elements in Elsa Morante’s and Anna Maria Ortese’s Short Stories

  Silvia Zangrandi

  215-232

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