Presences of modernism in the Argentine literary avant-garde from 1920th decade: rewriting and appropriations of Nicolás Olivari
Abstract
The presence of modernism and literature of Dario was notorious in the Argentine urban popular culture of the 1920s. This paper studies the dialogues that the literature of Nicolás Olivari (1900-1966), one of the poets of the first historical avant-garde, sets in its context of production. Pay attention to its appropriation, especially in his early writings, can review his poetry and explain one of the modes in which occurs a vanguard manifestation.Downloads
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