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Abaton. Revista de figuración, representación e imágenes de la arquitectura
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Vol. 3 (2025)
Vol. 3 (2025)
Published:
2026-07-29
Presentación
Construir historia e historias: fuentes, representaciones y narrativas de la arquitectura
Abaton. Revista de Figuración, representación e imágenes de la arquitectura
9-11
PDF (Spanish)
Dossier
Drawing as a Form of Thought: The Evolution of Techniques, Methods, and Instruments in Architectural and Artistic Representation
Daniele Calisi, Stefano Botta
13-24
PDF
The unfinished façade: two façades comparedto Santa Maria della Consolazione at the Roman Forum
Agostina Maria Giusto
25-38
PDF (Italian)
Drawing as a tool for urban recognition
Alessandro Acciarino
39-46
PDF (Italian)
From Passion to Method. Experiences of 3D modelingapplied to unrealized architectures
Luca Guerini
47-54
PDF (Italian)
Between Paper Archives and the Stone Archive: Drawing as a Critical Tool
Anna Rossi
55-64
PDF
Archives and Museums of Architecture for Historical Research and Heritage Protection
Antonello Alici
65-70
PDF (Italian)
Survey methodologies through the archive: Studio BBPR Fund as a case study
Tullia Fidelbo
71-79
PDF (Italian)
The reception of Italian Renaissance Architecture in Spain between the Fifteenth and Sixteenth Centuries: Archival Evidence from La Calahorra and El Viso
Aurora Ferrari
81-91
PDF (Italian)
The Multiplicity of Interpretations: Archive Mario Messina (1899-1987) from the Wolfsonian-FIU Collection for the History of Architecture
Mariia Babicheva
93-104
PDF (Italian)
Manufacturing Chineseness: The Mediationof Chinese Pavilions at Nineteenth-CenturyWorld Exhibitions
Xiaoruo Cao
105-113
PDF
Pictorial, Literary, and Engraving References in Architectural Photography in Rome (1850–1870). The Dissemination of a Fading Ideal
Alicia Forneri
115-124
PDF (Spanish)
Roma, Palazzetto di Venezia. Photographs in the Pressand Diplomatic correspondences as sources for reconstructingthe transfer of the viridarium of San Marco (1909-1913)
Michela Iori
125-136
PDF (Italian)
“Nella gran sala della Cancellaria”. The Ephemeral Theatre for the Amor Pudico
Fabio Colonnese
137-146
PDF
Commissioned and designed Paolo Posi's fireworks machines for the homage to the Chinea: from Fabrizio IV to Lorenzo Onofrio II Colonna (1751–1775)
Julia Konstancja Manupelli
147-155
PDF (Italian)
Documents
Architectural Initials and Alphabets: Architectural Theory or Antiquarian Scholarly Culture?
Patricia López fernandez
157-168
PDF (Spanish)
History and Stories in the Garden: The Role and Symbolism of Water as a Stage for Power through Contemporary Testimonies
Carlos Lozano Guillem
169-176
PDF (Italian)
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