Artistic collaboration in the late Roman and Sicilian baroque: Giacomo Amato's design of sculpture and architectural design
Abstract
This short essay will try to highlight how a Sicilian architect, Giacomo Amato, established, between 1670 and 1700, to entrust the figurative image of his architecture and mobile furnishings in full to two marattesque painters: the Sicilians Pietro Aquila and Antonio (or Antonino) Grano, both known in Rome.
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License
In order to support the global exchange of knowledge, the journal Abaton. Revista de figuración, representación e imágenes de la arquitectura is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
