La ciudad rota: el México miserable de Luis Buñuel y Guillermo Fadanelli
Abstract
The following article compares Luis Buñuel’s film Los Olvidados (Young and the damned) with Guillermo Fadanelli’s novel La otra cara de Rock Hudson to define and underline the characteristics of the space in which both pieces happen. The portrait of Mexico City made by the authors is cruel and miserable, and it demystifies what was once considered a sacred place yearned by its founders, ideal for a good future. This point of view has created a dangerous city stereotype that doesn’t seem to fade in the works of art that take place there. The monster city does not seem like a place that can be controlled.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Revista de Filología Románica is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.