Alonso Zamora Vicente’s and María Josefa Canellada’s narrative work under the censor’s gaze

  • María Victoria Navas Sánchez-Élez Profesora honorífica de la Universidad Complutense de Madrid y colaboradora del Centro de Lingüística de la Universidad de Lisboa
  • Juan M. Ribera Llopis Universidad Complutense de Madrid
Keywords: Alonso Zamora Vicente, Spanish censure, Un balcón a la plaza, Mesa, sobremesa, Smith y Ramírez, S. A., Primeras hojas, A traque barraque, Desorganización, El mundo puede ser nuestro, Sin levantar cabeza, María Josefa Canellada, Penal de Ocaña, El tío Tanó

Abstract

This contribution consists of an inventory of the eight files with their corresponding reports on the narrative work of Alonso Zamora Vicente (1916-2006) as well as of the four files corresponding to the five reports of the creative work by María Josefa Canellada (1912-1995). All these sources are deposited in the General Archive of the Administration and document the censorship that both authors’ work suffered. Some reflections on the different treatment that both writers received by their respective readers and censors are offered as a conclusion.

Downloads

Download data is not yet available.
View citations

Crossmark

Metrics

Published
2017-11-28
How to Cite
Navas Sánchez-Élez M. V. y Ribera Llopis J. M. (2017). Alonso Zamora Vicente’s and María Josefa Canellada’s narrative work under the censor’s gaze. Revista de Filología Románica, 34, 89-99. https://doi.org/10.5209/RFRM.58158