Multhietnic patrol in World War II. New perspective on cinema combat
Abstract
We are going to review the evolution of the cinema in the Second World War focused on the adventures of a small group of soldiers from different cultural origins, belonging to either a patrol or a squadron, suffering from the stress and tension of the fighting. We are also going to revise some contributions such as those of Quentin Tarantino (Inglourious Basterds, 2009) and David ayer (Fury, 2014). Violence and the wish for revenge are signs of discontent and pessimism in front of current states of war.Downloads
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