Recognition and History of Being. Heidegger and Hölderlin’s Lyric Poem
Abstract
This paper aims to wonder whether, despite Heidegger’s “silence” in the face of Hölderlin’s theory of poetic genres, it is not this theory, and especially the Lyrical Poem that characterizes Modernity, the question on which Heidegger relies to base his “history of being” (Seinsgeschichte). In this regard, the relevant notion of history that is handled in his work and finally the term marked das Ereignis would be in tune with the “poetic paths” theorized by Hölderlin.
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