La Batalla de Orgreave. Entre el simulacro, el teatro de masas y el cine político
Keywords:
Depiction of conflicts, Simulation, Political aesthetics
Abstract
The article issues some of the questions posed by modern aesthetics like the historicity in the works of art and the depiction of social and political conflicts and its consequences in the social discourse, from the recreation of the Battle of Orgreave staged by british artist Jeremy Deller for the London-based art-center Artangel to the films of Serguei M. Eisenstein and Peter Watkins and the theater of Erwin Piscator and Rimini Protokoll.Downloads
Download data is not yet available.
Article download
Crossmark
Published
2010-01-01
How to Cite
Ferrero Á. (2010). La Batalla de Orgreave. Entre el simulacro, el teatro de masas y el cine político. Nómadas. Critical Journal of Social and Juridical Science, 25(1), 127-149. https://revistas.ucm.es/index.php/NOMA/article/view/NOMA1010140127A
Issue
Section
Articles
License
In order to support the global exchange of knowledge, the journal Nómadas. Critical Journal of Social and Juridical Sciences is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
