Dialogue of Exiles, Political film and Aesthetic in Latin America: Raoul Ruiz, Territories, Ontology of the Fantastic and Visual Polysemy

Abstract

The cinema of Raul Ruiz comes from an ongoing reflection on cinema narrative modes. Ruiz set in France a cinema exploratory, experimental and Baroque, which explores the lack of identity and loss of territory. It is in his poetry which manages to infiltrate his dissent, his exile metaphysical, that is his militancy in the struggle against ideological core of the central conflict theory, which is nothing but the storytelling operationalization of the mechanisms of competition, characteristic of neoliberal model. The form of visual polysemy Ruiz put into operation consists of watching a film whose narrative logic is apparently always the same story, and whose wanderings, failures, zig-zag paths are explained by their secret plan, this is a film impostor not explicit, whose strengths lie in the weak moments of the film seeming to tell another story from there, create a work that plays with the film bulk, which contradicts and speculate about