Iconografía musical en el camarín de Santa Ana de Sapa (Manila)
Abstract
La escasez de representaciones artísticas conservadas en Filipinas dificulta el estudio de la iconografía musical y, con ello, de las prácticas interpretativas y constructivas de los instrumentos. El análisis de este conjunto pictórico permite ofrecer nuevos datos sobre la producción pictórica y la representación musical en los territorios asiáticos del mundo hispánico.
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