The Iconography of the Coronation of the Virgin in Late Medieval Italian Painting
A Case Study
Abstract
This paper aims to highlight the artistic and conceptual relevance acquired by the iconographic theme of The Coronation of the Virgin in Italy during the Late Middle Ages. To achieve this goal we analyzed twenty-seven Trecento and Quattrocento paintings, with the purpose of discovering in them the more or less innovative compositional formulas proposed by these artists, as well as the possible literary sources that inspired them. From the formal perspective we have discovered three different iconographic types, which complement themselves mutually, as progressively complex variations of a similar basic structure. From the conceptual perspective we could also specify that these three different iconographic types of The Coronation of the Virgin in Italy are inspired directly in specific comments by some Church Fathers and medieval theologians.
Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Eikon Imago is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.