The reflection of Edward Hopper’s work in the films L’Eclisse, Strangers on a Train y Manchester by the Sea
Keywords:
Edward Hopper, Michelangelo Antonioni, Alfred Hitchcock, Kenneth Lonergan, cinema, painting.
Abstract
Many films have been influenced, in a direct or indirect way, by Edward Hopper’s pictorial work. This article studies the dialogue between cinema and painting with the pictures of the North American artist as a base. For this analysis we choose films which, in a different way, there are echoes of Hopper’s art. These films are L’Eclisse (1962), by Michelangelo Antonioni; Strangers on a Train (1951), by Alfred Hitchcock, and Manchester by the Sea (2016), by Kenneth Lonergan.Downloads
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How to Cite
Mendieta Rodríguez E. (2018). The reflection of Edward Hopper’s work in the films L’Eclisse, Strangers on a Train y Manchester by the Sea. Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural, 9(2), 77-88. https://doi.org/10.5209/ANRE.61049
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