"El disparo de argón" by Juan Villoro: The City under the Storm
Abstract
“Material images” –the way Gaston Bachelard understands them– constitute a very relevant side of the imaginary aspect of Mexico City; that is to say that images of the four elements profoundly articulate this hypermetropolis’ identity. Juan Villoro, one of the contemporary writers who is most strongly linked to the Mexican capital, significantly senses this dimension of the city. His first novel, El disparo de argón, clearly illustrates this intuition. In this book, matter, urban space and plot are neatly interwoven. Throughout this study, I explore both the role of water and rain in this work and their strong ties to both the main character’s subjectivity and the construction of the scenarios and the narrative itself.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Ángulo Recto is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.