The Diabolic City in Painting

  • Miguel Etayo Gordejuela I.E.S. Beatriz Galindo
Keywords: city, painting, urban landscape, modern city

Abstract

The sights of cities, an important genre of Baroque painting, almost disappeared with industrialization. The painters preferred to look back and to represent other topics. However, the modern city was breaking through in the painting of 19th and 20th centuries. The new image of the city is antithetical to the old veduta and acquired traits of representations of hell.

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Published
2014-12-19
How to Cite
Etayo Gordejuela M. (2014). The Diabolic City in Painting. Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural, 6(2), 29-63. https://doi.org/10.5209/rev_ANRE.2014.v6.n2.47583
Section
Articles