Choix des ornaments Arabes de l’Alhambra: Girault de Prangey y los Hermanos Bisson, entre la memoria histórica y la evocación romántica
Abstract
The interest in monumental and artistic heritage was the first objective of the photographic camera. Born in the midst of the process of consolidation of the theories of Romanticism and the birth of modern tourism, one of the first examples of architectural representation. An example of the taste for the dissemination of Nasrid models in nineteenth-century architecture and a pioneering work in photographic illustration was the work of the Bisson brothers. An example of the graphic revolution and, at the same time, of the visual continuity of traditional architectural representation under photography.
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