Vasari, sus Dimore (Arezzo y Florencia) y lo Stanzino del Príncipe: Teatro-Memoria-Sapiencia
Abstract
The aim of this article is to focus on and approach the multifaceted figure of Giorgio Vasari from the perspective of the memory-theatre-sapience trinomial, as a means of study that can clarify and provide important clarifications and concatenated and interwoven data regarding his varied activity, from painter, writer and architect to his status as a court artist and consummate craftsman of perspective.
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