Le temps dans la pensée esthétique de Diderot (Salon de 1767)
Abstract
Time has been a longlife constant in Diderot’s ideas. The pictorial critique allows him to get deeper into the subject starting from different Time representations : from the eternity, or time stop due to the instant artistically fixed, to the brevity of life and, finally, the death. In the Salon de 1767, his best work as a «salonnier», Diderot observed the «Académie» paintings, hanged in Louvre’s «salon carré», to make a reflection about humanity time as well as about his own time, searching, and finding, the means to become inmortal: being Art’s object and subject.Downloads
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Published
2003-01-01
How to Cite
Vázquez L. (2003). Le temps dans la pensée esthétique de Diderot (Salon de 1767). Thélème. Revista Complutense de Estudios Franceses, 18, 113-122. https://revistas.ucm.es/index.php/THEL/article/view/THEL0303120113A
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