Don Giovanni: la subversión sensorial

  • José Manuel Losada

Abstract

Como se deduce de su configuración mítica, Don Juan es un personaje carente de sensibilidad interna; además, en el libreto de Da Ponte, la vista y el oído sólo tienen una importancia relativa. Estas páginas ponen de manifiesto la importancia relevante del resto de los sentidos externos en dicho libreto y en la música de Mozart.

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Published
2008-07-17
How to Cite
Losada J. M. (2008). Don Giovanni: la subversión sensorial. Revista de Filología Románica, 1, 137-141. https://revistas.ucm.es/index.php/RFRM/article/view/RFRM0707220137A
Issue
2007: The Senses and its Writings I
Section
Articles

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