Light Symbolism in Gentile da Fabriano’s Vatican Annunciation

  • Lasse Hodne Norwegian University of Science and Technology

Resumo

Gentile da Fabriano’s Annunciation in the Vatican Pinacoteca is one of the clearest and most interesting visualizations of a famous metaphor from Medieval hymn literature that compares Mary’s hymen to the glass of a window. The painting uniquely combines three elements: rays of light, a Gothic tracery window, and the shape of the window impressed on the Virgin’s body. Gentile’s painting is the culmination of a development in Tuscan art that can be traced back at least until about 1370. This makes it part of an Italian tradition of visualizing the so-called ut vitrum metaphor that must antedate analogous examples from Flemish art.

Downloads

Não há dados estatísticos.
##submission.viewcitations##

##submission.format##

##submission.crossmark##

##submission.metrics##

Publicado
2014-09-20
Como Citar
Hodne, Lasse. “Light Symbolism in Gentile Da Fabriano’s Vatican Annunciation”. Eikón / Imago 3, no. 2 (setembro 20, 2014): 33–50. https://doi.org/10.5209/eiko.73395.
Seção
Papers