Recovering the Palestinian History of Dispossession through Graphics in Leila Abdelrazaq’s Baddawi

DOI: https://doi.org/10.5209/eiko.73329

Resumo

Documentation is a significant mechanism to prove one’s identity. Palestinians, being robbed of this privilege to document their history, have taken upon other creative means to prove their existence. Being instruments of resistance, graphics and comics have a historical prominence in the Palestinian community. Building on this rich history of resistance through art, the paper contends that the modern graphic novel is used as a tool by the author to reclaim the Palestinian identity by drawing their rootedness in the region, thus resisting their effacement from public memory.

Downloads

Não há dados estatísticos.
##submission.viewcitations##

##submission.format##

##submission.crossmark##

##submission.metrics##

Publicado
2020-07-03
Como Citar
Priyadarshini, Arya, e Suman Sigroha. “Recovering the Palestinian History of Dispossession through Graphics in Leila Abdelrazaq’s Baddawi”. Eikón / Imago 9 (julho 3, 2020): 395–418. https://doi.org/10.5209/eiko.73329.
Edição
v. 9 (2020): War and Otherness
Seção
Monographic theme

Licença

In order to support the global exchange of knowledge, the journal Eikon Imago is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.