En los puertos de tránsito del tiempo: sobre puertos y cementerios
Abstract
Harbors and cemeteries, regardless of their differences, share a common feature connected to their simbolic and deep values: both are part of the great landscape that support the whole imaginary about the transition or the journey to the unknown. In this article we examine the formal contributions of Postmodernity to both landscapes: the elimination of ornaments, the absence of descriptions, the loss of the horizontal and the loss of a sense of boundary, or the abolition of the voices’ differentiation.Downloads
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