Penélope (y Ulises) en la dramaturgia femenina contemporánea
Keywords:
Dramaturgia femenina española, Penélope y Ulises
Abstract
El presente trabajo analiza la imagen de los personajes de Penélope y, de modo secundario, Ulises, en la dramaturgia femenina española contemporánea, desde el último cuarto del siglo XX. Analizamos cuatro obras: Ulises no vuelve, de Carmen Resino (1973-1981), Las voces de Penélope, de Itzíar Pascual (1996), Polifonía, de Diana de Paco Serrano (2001), y Soy Ulises, estoy llegando, de Ainhoa Amestoy (2007).##submission.format##
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Published
2008-09-29
How to Cite
Mañas Martínez, M. (2008). Penélope (y Ulises) en la dramaturgia femenina contemporánea. Amaltea. Revista de Mitocrítica, 277-302. https://revistas.ucm.es/index.php/AMAL/article/view/AMAL0808110277A
Issue
Section
Articles | Thematic Issue
License
Amaltea. Revista de mitocrítica is an open access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access."Full-text articles published in Amaltea. Revista de mitocrítica are open-access and published under a CreativeCommons License Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) http://creativecommons.org/licenses/by-nc-nd/4.0/deed.en. Reproduction, distribution or public communication of these articles with commercial purposes requires the Editor’s prior written. Redistribution for academic purposes is permitted, provided that the source and authorship are properly acknowledged, and that the journal is credited with the first publication, by adding a link to the journal's official URL. If available, the DOI of the article in question should also be included.
