• Introduction

  1-3

  • PDF (Spanish)

Articles

• Scientific production in communication of Spanish researchers (2005-2015)

  Gloria Rosique Cedillo, Eduardo Francisco Rodríguez Gómez

  5-17

  • PDF (Spanish)
• A pending transition. Women deputies against the female representation in television advertising (1982-1989)

  Pablo Berdón

  19-30

  • PDF (Spanish)
• Female television managers: Between leadership and gender inequalities. The Spanish case

  Carles Marín Lladó, Laura Cervi, Gema Alcolea Díaz

  31-41

  • PDF (Spanish)
• The contemporary men´s magazines in Spain. from Hombres Dunia to Hombres de Vanguardia. A proposal of periodization

  María Ganzabal-Learreta, Koldobika Meso-Ayerdi

  43-56

  • PDF (Spanish)
• Guerra de imágenes franquistas en España: una aproximación a la iconoclasia institucional

  Fernando R. Contreras, Alba Marín

  57-70

  • PDF (Spanish)
• Agitation in the streets. Political violence in the Spanish Transition through photojournalism

  Rafael R. Tranche

  71-81

  • PDF (Spanish)
• The Madrid press during the Transition to democracy. History and internal functioning of ABC, Diario 16 and El País

  Itziar Reguero Sanz

  83-93

  • PDF (Spanish)
• “Spain’s deadly struggle”: The news coverage of terrorism and violence during the Transition in the US weeklies Time and Newsweek

  Christopher D. Tulloch, Cristina Perales-García

  95-105

  • PDF (Spanish)
• The “two banks”. The delegitimization of the Spanish socialism in the communist discourse (1988-1996)

  Emanuele Treglia

  107-117

  • PDF (Spanish)
• The communicative dimension of the regional coalition governments in Spain (1987-2019)

  Alejandro Ferrández-Mas, Paulo Carlos López-López, Nieves Lagares Díez

  119-132

  • PDF (Spanish)
• Basque Conflict and the Violence of ETA in Contemporary Spanish Graphic Novel: Study of four Cases

  Gerardo Vilches

  133-142

  • PDF (Spanish)
• Evolution of news coverage on accidents and suicides in the Spanish digital press (2010-2017)

  Javier Olivar-Julián, Francisco Segado-Boj, Jesús Díaz-Campo

  143-160

  • PDF (Spanish)
• Unravelling migration media coverage: How migrants and immigration were portrayed in Spain during the refugee crisis (2015-2018)

  Carlos Rodríguez-Pérez, Dimitrina Jivkova-Semova, Eva Pérez-Vara, Nastaran Asadi, Marcus Kreutler

  161-173

  • PDF
• The arrangement of elmundo.es in the digital strategy of Unidad Editorial (1996-2021)

  Luis Sangil, Ramón Salaverría, Francisco Javier Pérez-Latre

  175-185

  • PDF (Spanish)
• The origin of the newspaper Las Noticias: its foundation and first years

  Carolina Serra, Cristina Martorell

  187-195

  • PDF (Spanish)
• Ana Caro Mallén: author of ‘relaciones’ and chronicler of her time

  Juana Escabias Toro

  197-205

  • PDF (Spanish)
• Metadiscourses of resistance. Harangues, proclamations and committed poetry in the Catalan press during the Spanish Civil War (1936-1939)

  Jordi Luengo López, Raquel García Fuentes

  207-219

  • PDF (Spanish)
• The journalistic collaborations of Francisco Umbral in Mundo Hispánico in the sixties: the forge of a writer

  Antonio Fernández Jiménez, Margarita Garbisu Buesa

  221-231

  • PDF (Spanish)
• Hollywood and the evolution of the American Dream. From the society of the anxious 90s to the landscapes of Apocalypse and regeneration

  Antonio Sánchez-Escalonilla

  233-242

  • PDF (Spanish)
• Transnational propaganda networks in support of the Spanish Republic: Guillermo Fernández Zuñiga and the film production "Spain in exile"

  Laura López Martín

  243-252

  • PDF (Spanish)
• Access to "truth" through the "fiction" in Chernobyl. The delirium of the story in hypermodernity

  Beatriz Correyero-Ruiz, Josefina Sánchez Martínez

  253-265

  • PDF (Spanish)
• Hybridizations of fiction and reality in the work of Licínio Azevedo. Three paradigms: A colheita do diabo (1988), A arvore dos ancestros (1996) and Desobediencia (2002)

  José Antonio Jiménez de las Heras, Almudena Muñoz Gallego

  267-281

  • PDF (Spanish)
• Two Channels for the Documentary in Spain. Use and Sense of Gender in TVE (1958-1975)

  Nuria Navarro Sierra, Ismael García Herrero

  283-296

  • PDF (Spanish)
• Stylistics trends in TVE series production (1964-1975). La pequeña comedia and Historias para no dormir

  Elvira Canós Cerdá; Patricia Diego, José Martínez Sáez

  297-308

  • PDF (Spanish)
• Domestic space and television in Spain. Uses and daily memory of the television in nineties

  Mar Chicharro-Merayo, Fátima Gil-Gascón

  309-319

  • PDF (Spanish)

Reviews

• Luis Veres (2021): Ficción televisiva y Quality TV. Valencia. Tirant Humanidades, 172 pp. ISBN: 978-84-18614-48-4

  Sergio Moreno Valle

  321-323

  • PDF (Spanish)
• Cintas Guillén, María Isabel (2021): Chaves Rey, el cronista de Sevilla. Sevilla: Editorial Universidad de Sevilla, 332 páginas. ISBN: 978-84-472-3098-3

  Álvaro Pérez Álvarez

  325

  • PDF (Spanish)
• Sánchez Noriega, José Luis (2021). Icíar Bollaín. Madrid: Ediciones Cátedra. 443 pp. ISBN: 978-84-376-4203-1

  Ernesto Pérez Morán

  327-328

  • PDF (Spanish)
• Sobrados-León, Maritza y Ruiz Acosta, María José [Coordinadores] (2021): Tecnologías que condicionan el periodismo. Salamanca: Comunicación Social, páginas 186. ISBN: 978-84-17600-52-5

  Juan C. Figuereo-Benítez

  329-330

  • PDF (Spanish)
• Chalupa, Jiří / Reichwalderová, Eva (2021): Danza de máscaras. Motivaciones políticas e ideológicas de las transformaciones de las imágenes mediáticas. Picasso, García Lorca y Ortega y Gasset en la prensa checoslovaca. Barcelona. Caligrama Editorial

  José Luis Dader

  331-333

  • PDF (Spanish)