Religious Graffiti in the Western Mediterranean (18th Century): An Approach from the Notion of Iconic Presence
Abstract
This article offers a theoretical approach to the study of iconic graffiti with religious themes through a selection of Mediterranean cases from the 18th century. In this context, the graffiti are interpreted as graphic expressions of popular religiosity. The conceptual framework is articulated from the notion of iconic presence formulated by Hans Belting, complemented by the idea of image-matter by José Luis Brea and by the conception of graffiti as acts of material devotion proposed by Ann Marie Yasin. The study examines the dynamic relationship between subject, image, and object of worship
Downloads
Article download
Crossmark
License
In order to support the global exchange of knowledge, the journal Eikon Imago is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
