Personal ornaments in the goldwork of Cabezo Redondo (Villena, Alicante) and their historical context

  • Virginia Barciela González University of Alicante
  • Gabriel García Atiénzar University of Alicante
  • Paula Martín de la Sierra Pareja University of Alicante
  • Mauro S. Hernández Pérez University of Alicante
DOI: https://doi.org/10.5209/cmpl.85236
Keywords: Goldwork, Bronze Age, Late Bronze Age, Cabezo Redondo, Villena

Abstract

This research analyses an important set of gold and silver ornaments from the settlement of Cabezo Redondo (Villena, Alicante). Based on a techno-typological analysis and, especially, on the analysis of their archaeological contexts and other objects of personal adornment from the settlement, we discuss their relationship with other gold and silver ornaments from the Bronze Age in the Iberian Peninsula.   

Author Biographies

Virginia Barciela González, University of Alicante

Área de Prehistoria. Instituto Universitario de Investigación en Arqueología y Patrimonio Histórico (INAPH) Universidad de Alicante.

Gabriel García Atiénzar, University of Alicante

Área de Prehistoria. Instituto Universitario de Investigación en Arqueología y Patrimonio Histórico (INAPH) Universidad de Alicante.

Paula Martín de la Sierra Pareja, University of Alicante

Área de Prehistoria. Instituto Universitario de Investigación en Arqueología y Patrimonio Histórico (INAPH) Universidad de Alicante.

Mauro S. Hernández Pérez, University of Alicante

Área de Prehistoria. Instituto Universitario de Investigación en Arqueología y Patrimonio Histórico (INAPH) Universidad de Alicante.

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Published
2023-03-13
How to Cite
Barciela González, V., García Atiénzar, G., Martín de la Sierra Pareja, P., & Hernández Pérez, M. S. (2023). Personal ornaments in the goldwork of Cabezo Redondo (Villena, Alicante) and their historical context. Complutum, 34(Especial), 109-127. https://doi.org/10.5209/cmpl.85236
Issue
Vol. 34 No. Especial (2023): Prehistoria de España. Homenaje al profesor Martín Almagro-Gorbea
Section
Articles

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