From Symbolic Form to Epistemic Artifact: Praxeological Analysis of Mathematics in Historical Images for Interdisciplinary Art Education
Abstract
Today, visual arts and mathematics are taught as isolated territories. This disconnection has fragmented learning, obscuring the profound dialogue between number and form. This article bridges both disciplines. To achieve this, it analyzes historical images not merely as aesthetic objects, but as conceptual tools that process and transmit mathematical thought. Through the Anthropological Theory of the Didactic (ATD), we propose an adaptation of the praxeological model applied to historical images, enabling the "reading" of the geometry and arithmetic concealed within art. To verify its utility, we examine the works of six masters—ranging from the precision of Da Vinci, Pacioli, and Dürer to the modernity of Oliver Byrne and M. C. Escher—deconstructing the praxis (tasks and techniques) and logos (technologies and theories) inherent in each masterpiece. Results confirm that these images operate as genuinely autonomous didactic media, capable of structuring, justifying, and legitimizing geometric, arithmetic, and topological knowledge through visual language. We conclude that integrating this perspective into the art classroom and STEAM projects not only enriches the curriculum but also restores the image's power as a tool for discovering the world. Ultimately, this approach rescues mathematics from mechanical repetition, transforming it into a shared visual experience.
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