Vol. 17 (2025) | Pygmalion. Revista de teatro general y comparado

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Cubierta revista Pygmalion 17 2025

Vol. 17 (2025)

Published: 2025-12-19

Cubierta revista Pygmalion nº 17 (2025)

Proscenio

Stages of Intersubjectivity and Cultural Memory in Elizabethan, Jacobean and Restoration Drama

Luis Javier Conejero-Magro, Jennifer Ruiz-Morgan

1-2
- PDF (Spanish)
“Did ever Spanish lady pace so”: National Identity, Gender Performance, and Metatheatre in John Fletcher and Philip Massinger’s Love’s Cure and Ben Jonson’s The Devil Is an Ass

Sofia Cristobal Holman-Smith

3-9
- PDF (Spanish)
Financial Power and Social Anxiety in Philip Massinger’s A New Way to Pay Old Debts and The City Madam.

Juan Fernando Camacho Sánchez

11-20
- PDF (Spanish)
A Restoration Attack on Royal Favouritism: Sir Robert Howard’s The Great Favourite, or, the Duke of Lerma (1668)

Alejandro Sell Maestro

21-30
- PDF (Spanish)
To Be or Not to Be Shakespeare: The Bard of Avon as a Characterin the Theatrical Mirror of Zumel and Cappuccio. A Metadramatic Inquiryinto Historical Parody and Scenic Autofiction

Fernando Cid Lucas

31-40
- PDF (Spanish)
“All Honorable Men:” Irony, Performance, and Satirein William Shakespeare and Bob Dylan

Nadia López-Peláez Akalay

41-51
- PDF (Spanish)

Varia

Romantic Intertextuality and The Never-endingAche: O’Neill’s Long Day’s Journey into the Soulof the Poet

Andrea Velasco Justicia

53-59
- PDF (Spanish)
Making something out of Nada: An analysis of Yago and Jaén’s adaptation of Carmen Laforet’s novel as performed by the Centro Dramático Nacional.

Tallulah Treadaway

61-71
- PDF (Spanish)

Foro

Avances sobre la técnica actoral de Sanford Meisner

Yoska Lázaro

73-75
- PDF (Spanish)

Parnasillo