Pepita Pardell (1928-2019), notas sobre la trayectoria de una artista silenciada

Agencies: Este trabajo ha sido posible gracias a la beca disfrutada por la autora Ana Claudia Camila Veiga de França, otrogada por CAPES (Coordenação de Aperfeiçoamento de Pessoal de Nível Superior), Ministério da Educação, Brasil; y gracias al proyecto Transmedia Gender and LGTBI Literacy (TRANSGELIT) (PID2020-115579RA-I00), financiado por el Ministerio de Ciencia e Innovación de España (MCIN/ AEI / 10.13039/501100011033) al que pertenece el autor Sergio Villanueva Baselga.

Abstract

The aim of this study is to investigate Pepita Pardell's career (1928-2019), focusing on her work on Balet y Blay company, which was an important movie company in Barcelona, responsible for the first animated and colored feature film made in Spain: Garbancito de la Mancha (1945). At a methodological level, we have analyzed documents located on Filmoteca de Catalunya in Barcelona and the Museu del Cinema in Girona, including some of Pepita Pardell's diaries. We also consulted digital newspaper libraries from the newspapers La Vanguardia and El Periódico. The main results highlight techniques, spaces, events, and materials related to Pepita Pardell's career as other women's presence and work. Those work experiences contributed in a fundamental way to the history of animation in Catalonia and Spain.

View Citations

Crossmark

Metrics

Published
2022-11-15
How to Cite
Camila Veiga de França, A. C., & Villanueva Baselga, S. (2022). Pepita Pardell (1928-2019), notas sobre la trayectoria de una artista silenciada. Historia Y Comunicación Social, 27(2), 425-433. https://doi.org/10.5209/hics.84393