The golden age of sports audiovisual media. A systematic review of studies on sports series, films and documentaries
- Anna Tous-Rovirosa Universidad Autónoma de Barcelona https://orcid.org/0000-0003-4519-3793
- Leonor Balbuena Universidad Autónoma de Barcelona https://orcid.org/0009-0002-4348-559X
- Laura Pousa UNIE Universidad–The Core School https://orcid.org/0000-0001-8403-781X
- Rogmary García-Sánchez Universidad Autónoma de Barcelona https://orcid.org/0009-0003-3111-4756
Resumen
Se presenta una revisión sistemática de investigaciones sobre audiovisual deportivo (películas, series televisivas y documentales), género, etnia, audiencias y salud entre 2020 y 2025 en las principales bases de datos internacionales (Scopus, WoS, Dialnet, PubMed) y repositorios de tesis doctorales nacionales e internacionales. Se utiliza la metodología mixta, cuantitativa y cualitativa, siguiendo el modelo PRISMA. De los 1234 títulos iniciales, se analizan finalmente 270. Entre los resultados destaca la preeminencia de estudios sobre productos audiovisuales estadounidenses, junto con la emergencia de cierta diversidad étnica y de territorio, entre ellos el cine deportivo de Bollywood; un predominio de estudios fílmicos «clásicos» contrapuesta a los estudios televisivos (series y documentales) que se caracterizan por estudiar productos coetáneos. Los hallazgos evidencian un cambio temático significativo: de los estudios centrados en la vinculación heroicidad-nacionalismo a la perspectiva de género como marco predominante y en menor medida, con enfoques en la etnia y la interseccionalidad. Destacan como tendencia los estudios sobre el documental deportivo y su serialización como estrategia narrativa de las plataformas de streaming, los estudios de género, la metodología cualitativa, el Análisis fílmico y de Género. Se constata como tema emergente la interseccionalidad. De manera mayoritaria los títulos corresponden a artículos científicos publicados en inglés en revistas de deporte o comunicación. Los ámbitos pendientes por estudiar son la salud y las audiencias en relación con el audiovisual deportivo.
Biografía del autor/a
Dr. Anna Tous-Rovirosa is an Associate Professor in the Department of Journalism and Communication Studies at the Autonomous University of Barcelona (UAB) and Principal Investigator of the Ministry-funded project Sports is Politics. Her research focuses on television studies and gender analysis in sports fiction. Her work has been published in the book Series Deportivas de Televisión (2026) and in journals such as the International Journal of Communication (2026) and Feminist Media Studies (2023), among others.
Dr. Leonor Balbuena is a lecturer and researcher at the UAB, specializing in visual culture, graphic design, and social communication. Her work focuses on the visual representation of gender and ethnicity in audiovisual sports communication. She developed the Logo Design Analysis Protocol (LDAP). She is a member of the UAB’s Advertising and Public Relations Research Group (GRP).
Dr. Laura Pousa holds a PhD in Film History from the Autonomous University of Madrid (UAM). She combines her work as a screenwriter and director with academic management, teaching, and research, and currently directs the Master’s in Audiovisual Screenwriting at UNIE University-The Core School. Her research centers on contemporary audiovisual narrative and the socio-historical analysis of film and television discourse, with key publications such as La memoria televisada. She has received a Goya Award nomination and four Iris Awards. ORCID: https://orcid.org/0000-0001-8403-781X
Rogmary García Sánchez holds a master’s degree in Screenwriting, Narrative, and Audiovisual Creativity from the University of Seville. She has worked as a journalist, narrator, and sports commentator on Cuban national television. She conducts research on new narrative forms in audiovisual sports journalism interviews. ORCID: https://orcid.org/0009-0003-3111-4756
Referencias
Abbott, S. (2024). ‘That might as well be the first sign of the apocalypse’: Ted Lasso, trauma and the personal apocalypse. The Journal of Popular Television, 12(2), 165-181. https://doi.org/10.1386/jptv_00122_1
Adelfinsky, A. S. (2020). Creating a hero . . . laughing at clowns? Representations of sports and fitness in Soviet fiction films after the Olympic U-turn in politics. The Russian Sociological Review, 19(4), 108-136. https://doi.org/10.17323/1728-192X-2020-4-108-136
Aitaki, G. (2023). National team of Greece: Gender, sports, and the recession. Series – International Journal of TV Serial Narratives, 9(2), 29-40. https://doi.org/10.6092/issn.2421-454X/19233
Alfaro-Beracoechea, L. N., & Contreras Tinoco, K. A. (2022). Interacciones violentas en la serie de ficción televisiva “Club de Cuervos” de Netflix. Sociologias, 24(61), 350-380. https://doi.org/10.1590/18070337-116701
Ali, A. E. (2025). Rare sites and white saviours? Gendered orientalism, radicalization, and the construction of Muslim women soccer players in TSN’s Radical Play. Communication & Sport, 13(3), 442-462. https://doi.org/10.1177/21674795241233557
Amodu, A. D. (2024). From hecklings to accolades: Hegemony and reconstruction of gender roles in Nitesh Tiwari’s Dangal. Quarterly Review of Film and Video, 41(3), 386-396. https://doi.org/10.1080/10509208.2022.2125486
Archer, N. (2022). UEFA at the movies: Producing space in the 21st century football film. Sport in Society, 25(8), 1389-1404. http://doi.org/10.1080/17430437.2020.1825381
Archer, N. (2023). Don’t believe in miracles: The British sports film in the era of sporting rationalization. Sport in Society, 26(8), 1340-1354. http://doi.org/10.1080/17430437.2022.2130052
Archer, N. (2024). Going solo: Ecocritical approaches to the “extreme” sports film. In N. Archer (Ed.), Sport, film, and the modern world (pp. 183-213).
Augustine, Saji, & Abhaydev, C. S. (2023). Visibility of disability: Ableism in Indian film, politics and sports. Transcript: An e-Journal of Literary and Cultural Studies, 3(1), 49-57. http://doi.org/10.53034/TRANSCRIPT.2023.V03.N01.003
Baggett, M., & Baggett, D. (Eds.) (2024). Ted Lasso and philosophy: No question is into touch. Wiley.
Bantle, S. C. (2024). ‘Football isn’t just a game’: Ted Lasso, utopia and the issue of sportswashing. The Journal of Popular Television, 12(2), 133-148. https://doi.org/10.1386/jptv_00120_1
Barreiro-González, M. S., & Elduque-i-Busquets, A. (2025). Welcome to peaceful Spain: Football, cinema, and soft propaganda across the Iron Curtain. Hispanic Research Journal. http://doi.org/10.1080/14682737.2025.2552026
Bauer, T. (2021). From Maradona to Jude Law: Sport in Paolo Sorrentino’s movies. Studies in European Cinema, 18(1), 60-75. http://doi.org/10.1080/17411548.2018.1554776
Bauer, T. (2022). Sport in Paolo Sorrentino’s movies. Les journées de l'interdisciplinarité. http://doi.org/10.25965/lji.238
Bauer, T., & Delsahut, F. (2020). Jim Thorpe – All-American: A thin Hollywood line of truth? International Journal of the History of Sport, 37(10), 937-949. http://doi.org/10.1080/09523367.2020.1828359
Bauer, T., & Delsahut, F. (2024). The Rider by Chloé Zhao (2017): A poethnic invitation to the world of rodeo. Sport in Society, 27(3), 317-328. http://doi.org/10.1080/17430437.2023.2223535
Bauer, T., & Leconte, M. P. (2020). In the shoes of Dave Blase: Cycling, cinema, and social class in Peter Yates’ Breaking Away. International Journal of the History of Sport, 37(10), 838-852. http://doi.org/10.1080/09523367.2020.1828363
Bauer, T., Leconte, M. P., & Visioli, J. (2023). The Summit of the Gods (2021): finding new heights for sport animation and transmedia storytelling. Sport in Society, 26(7), 1250-1264. https://doi.org/10.1080/17430437.2022.2125384 (Published on-line 2022).
Beare, A.H., & Boucaut, R. (2025). Positive masculinity or toxic positivity? Apple TV+’s Ted Lasso as a capitalist utopia. Critical Studies in Television, 0(0). http://doi.org/10.1177/17496020241228162
Biskind, P. (2023). How Netflix conquered Hollywood. Hollywood Reporter, 429, 52-55. https://www.hollywoodreporter.com/lifestyle/arts/how-netflix-conquered-hollywood-broke-it-pandoras-box-book-excerpt-1235637957/
Bonaut-Iriarte, J. (2021). El fenómeno de las series documentales deportivas en las plataformas OTT: una nueva forma de ver el deporte. In: Sanahuja, Gloria, Mayorga-Escalada, Silvia, & Herrero-Gutiérrez, Francisco-Javier (Coords.) (2021). Deporte y comunicación: Una mirada al fenómeno deportivo desde las ciencias de la comunicación en España. Tirant lo Blanch.
Bonner, A. (2025). “You’re not portraying me as the villain this season, are you?”: Formula 1: Drive to Survive and Netflix’s serialized sports docuseries [Tesis doctoral]. ProQuest Dissertations & Theses.
Bonzel, K. (2020). Gendering the nation: The “hero other” in sports films. In K. Bonzel (Ed.), National pastimes: Cinema, sports, and nation (pp. 147-181). Routledge.
Bridges, B. (2021). From Kuching to Cardiff: Sport in colonial Sarawak, 1945-63. The International Journal of the History of Sport, 38(7), 712-727. http://doi.org/10.1080/09523367.2020.1862089
Brody, E. (2020). Documenting difference: Gay athletes of color, binary representation, and the sports documentary. In S. N. Sheppard & T. Vogan (Eds.), Sporting realities: Critical readings of the sports documentary (pp. 63-88). University of Nebraska Press. http://doi.org/10.2307/j.ctv13qfthk.7
Buehler, B. (2020). The documentary as “quality” sports television. In S. N. Sheppard & T. Vogan (Eds.), Sporting realities: Critical readings of the sports documentary (pp. 11-33). University of Nebraska Press.
Carter, J. (2022). Extreme sports as filmed entertainment: Understanding aesthetic form, style and characteristics of extreme sports films [Tesis doctoral, Queensland University of Technology].
Çavuş, M. (2024). A deep dive into the narrative complexity of The Last Dance sports documentary. In E. A. Seçmen (Ed.), Analyzing ideology and narratology in film series, sequels, and trilogies (pp. 19-34). IGI Global Scientific Publishing. https://doi.org/10.4018/979-8-3693-7416-0.ch002
Chakravarty, A. (2020). Teaching Gender Through Films on Sportswomen: Contrary Messages. IAFOR Journal of Arts & Humanities, 7(1), 103-110. https://doi.org/10.22492/ijah.7.1.10
Cerdán-Martínez, V., Giménez-Sarmiento, A., & Villa-Gracia, A. D. (2023). The representation of people with disabilities on Madrid public television. Icono 14. Revista de comunicación y tecnologías emergentes, 21(2). https://doi.org/10.7195/ri14.v21i2.2025
Clemens-Smucker, J. (2023). Masculinity and sport: An analysis of “The M.V.P.” in the television comedy Schitt’s Creek. The Journal of American Culture. http://doi.org/10.1111/jacc.13512
Collins, F. (2020). Cathy FREEMAN: Trailblazer, Black Activist, Kuku Yalanji Woman. Antipodes, 34(2), 313-328. https://www.jstor.org/stable/48678318
Collins, P. H., & Bilge, S. (2016). Intersectionality. Polity Press.
Cordero-Hoyo, E., & Gil-Vázquez, A. (2024). From ridicule to objectification: Depictions of women’s football in Spanish NO-DO newsreels and comedy films of the 1970s. L’Atalante. Revista de Estudios Cinematográficos, 37, 75-92. http://doi.org/10.63700/1119
Crosson, S. (2021). European cinema and the football film “Play for the people who’ve accepted you”. In S. R. Millar, M. J. Power, P. Widdop, D. Parnell, & J. Carr (Eds.), Football and popular culture (pp. 87-107). Routledge.
Crosson, S. (2023a). “Men love women, but even more than that, men love cars”: Motor racing on film. In D. L. Andrews, S. Wagg, & D. Sturm (Eds.), The history and politics of motor racing (pp. 443-476). Springer International Publishing. http://doi.org/10.1007/978-3-031-22825-4_18
Crosson, S. (2023b). Going vertical: Examining the rise and impact of contemporary Russian sports cinema. Frontiers in Sports and Active Living, 5, Article 1250961. http://doi.org/10.3389/fspor.2023.1250961
Daddario, G. (2020). Billie Jean and Tonya: Sports film and the reimagining of American popular culture. In S. Crosson (Ed.), Sport, film and national culture (1.ª ed., (pp. 64-76)). Routledge.
Darda, J., & Davis, A. R. (2023). The body athletic. American Quarterly, 75(3), 443-468. http://doi.org/10.1353/aq.2023.a905858
De-Souza-Correa, S. M. (2022). Senegalese wrestling as “national sport” and other modern myths in Lamb. Black Camera, 13(2), 396-416. https://doi.org/10.2979/blackcamera.13.2.21
Drzewiecki, P. (2021). The image of the sportsman in Polish sports feature films of the second decade of the 21st century. Media Education (Mediaobrazovanie), 17(2), 231-237. http://doi.org/10.13187/me.2021.2.231
Esposito, A., & Raymond, R. (2021). The cultural impact of More Than a Game: A documentary about Life, LeBron, Basketball, and Much More. International Journal of Linguistics and Communication, 9(2), 1-8. https://doi.org/10.15640/ijlc.v9n2a2
Ellmer, E., Rynne, S., & Enright, E. (2020). Learning in action sports: A scoping review. European Physical Education Review, 26(1), 263-283. http://doi.org/10.1177/1356336X19851535
Eriksson, J., & Jonasson, K. (2020). Figures of postwar sliding: Utopia and violence in the extreme sport performances of James Bond. Social Sciences, 9(12), Article 223. http://doi.org/10.3390/socsci9120223
Erol, E. G., & Gülsün, M. (2021). Reconsidering gender stereotypes through Bollywood cinema: Reconsidering Bollywood movie Dangal. (pp. 421-437). IGI Global. http://doi.org/10.4018/978-1-7998-7180-4.CH025
Firmansyah, N. W., Arizal, F. W., & Sudarmanto, J. A. (2022). Use of FPV drones for sports documentaries. KnE Social Sciences, 7(13), 368-376. http://doi.org/10.18502/kss.v7i13.1168
Friedman, L. D. (2020). Sports movies (1st ed.). Rutgers University Press. http://doi.org/10.36019/9780813599908
Galak, E., & Pereyra, M. (2020). Las (im)posibilidades de una historia audiovisual de la educación física argentina. Ágora para la educación física y el deporte, 22, 106-123. https://doi.org/10.24197/aefd.0.2020.106-123
Garcia, R. M., de Morais, V. S. C. L., Pereira, E. G. B., & Knijnik, J. (2025). Sport, sexuality, and films: A critical analysis of the documentary series “Coming Out Colton”. International Review for the Sociology of Sport. https://doi.org/10.1177/10126902251356692
García-Medina, I., Rodríguez-Blanco, S., & Vaquerizo-Mariscal, A. (2025). The Disneyization of football: Sports journalism and public perception of club ownership through Welcome to Wrexham. Estudios sobre el Mensaje Periodístico, 31(4), 893-903. http://doi.org/10.5209/esmp.102355
Garin, M. (2020). Football, cinema and Spanish nationalism: Decoding the Francoist film Campeones (1943). In S. Crosson (Ed.), Sport, film and national culture (1.ª ed.). Routledge.
Garin, M. (2024). Women, sport and images: From literary ekphrasis to audiovisual media. L’Atalante. Revista de Estudios Cinematográficos, (37), 7-18. https://doi.org/10.63700/1171
Gildersleeve, J., & McDonald, J. (2022). Barracuda’s freak bodies and elite swimming in Australia. Journal of Australian Studies, 46(1), 98-111. https://doi.org/10.1080/14443058.2022.2027806
Gill, R. (2021). Bend it like Beckham?: The challenges of reading gender and visual culture. In P. Reavey (Ed.), A handbook of visual methods in psychology: Using and interpreting images in qualitative research (pp. 54-69). Routledge.
Gil-Quintana, J., & Gil-Tévar, S. (2020). Series de ficción como medio de coeducación para adolescentes. Estudio de caso: Las del Hockey. Fonseca (Salamanca), 21, 22-86. https://doi.org/10.14201/fjc2020216586
Glynn, S. (2018). The British Football film. Palgrave Macmillan.
Glynn, S. (2021). The British Boxing film. Palgrave Macmillan.
Gray, E. (2025). Electric automobility and the race to road transfer: “Formula E” and “Extreme E” in documentary film. Mobilities, 20(1), 67-88. http://doi.org/10.1080/17450101.2024.2389841
Hebert, A. (2021). Experiments in the Cine-Olympic cycle: Camera technology and operation in The Grand Olympics (1961) and White Rock (1977). The Velvet Light Trap, 87, 4-21. https://muse.jhu.edu/article/786158
Hebert, A. (2022). Process over product: Kinesthetic cinema, sporting bodies, and media milieux [Tesis doctoral, University of Pittsburgh].
Henry, T. M. (2024). “Get woke, go broke”: Sport media’s monetization of white male grievance in the age of Trump. Critical Studies in Media Communication, 41(4), 320-333. https://doi.org/10.1080/15295036.2024.2394163
Holland, E. C. (2022). The flight of Icarus: on the geopolitical resonances of documentary film. GeoJournal, 87(Suppl 1), S125-S132. https://doi.org/10.1007/s10708-022-10649-w
Joseph, J., Nzindukiyimana, O., Ahmed, S., & Barnes, S. (2025). The Queen’s Gambit: Race, gender, and feminist reclamation of athletic histories. Journal of Sport and Social Issues, 49(5), 465-482. http://doi.org/10.1177/01937235251364225
Jukes, J. (2024). Just good friends: Queer platonics, pleasures and friend-er trouble in Gurinder Chadha’s Bend It Like Beckham. Lambda Nordica, 29(4-1), 56-81. http://doi.org/10.34041/ln.v.970
Kalman-Lamb, N. (2020). The (African) American dream: Spectacle and post-racial teleology in U.S. sports films. In D. D. Brown (Ed.), Sports in African American life: Essays on history and culture (pp. 209-223). McFarland.
Karupiah, P. (2022). “Singgappenne”: Women’s sports in Tamil cinema. American Journal of Economics and Sociology, 81(1), 101-113. http://doi.org/10.1111/ajes.12443
Kluch, Y. & Schuck, R. I. (2022). Constructing “the athlete”: Representations of male high school athletes in U.S. teen drama series. Sport in Society, 25(9), 1603-1621. http://doi.org/10.1080/17430437.2020.1862795
Leen, C. (2023). Chicana lesbians and ovarian psychos: “The squad you been warned about”. Journal of Lesbian Studies, 27(3), 264-275. http://doi.org/10.1080/10894160.2023.2193471
Lehnert, S. (2025). Representation of car drivers and driving in the German cinema newsreel (1950-1965). Journal of Transport History, 46(2), 195-210. http://doi.org/10.1177/00225266251319534
Leonard, D.J. (2018). Close-up: Sports, race, and the power of narrative: Saving/staging whiteness: Racial reconciliation in 42 and FIFA 2017/2018. Black Camera, 10(1), 177-192. http://doi.org/10.2979/blackcamera.10.1.11
Lin, S.Y. (2025). From denunciation to therapy: Representing coach-athlete abuse in occidental cinema. International Review for the Sociology of Sport, 60(5), 946-963. http://doi.org/10.1177/10126902241290575
Littleton, C. (2015). Peak TV: Surge from streaming services, cable pushes 2015 scripted series tally to 409. Variety. https://variety.com/2015/tv/news/peak-tv-409-original-series-streaming-cable-1201663212/
Lomas-Martínez, S., Higueras-Ruiz, M.J., Martín-García, T., & Marcos-Ramos, M. (2025). La serialización del documental como estrategia de innovación en las plataformas de streaming españolas: Cartografía y tendencias dominantes (20162024). Estudios sobre el Mensaje Periodístico, 31(1), 103-114. http://doi.org/10.5209/emp.98884
Magyar, S. (2022). Culture, society, (sport) history and identity in Finland in the light of Finnish sport films. http://doi.org/10.15476/elte.2022.244
Marín-Montín, J. (2020). Idols, characters, and stereotypes of the male athlete. In J. Rey (Ed.), Men on the Screen: Re-visions of Masculinity in Spanish Cinema (1939-2019) (pp. 227-236). Peter Lang.
Marín Montín, J. & Bianchi, P. (2024). Mujer y deporte en la ficción televisiva seriada. El caso de Home Ground. L’Atalante. Revista De Estudios cinematográficos, (37). https://doi.org/10.63700/1115
Mateos-Pérez, J. (2021). La investigación sobre series de televisión españolas de ficción. Un estudio de revisión crítica (1998-2020). Revista Mediterránea de Comunicación / Mediterranean Journal of Communication, 12(1), 171-190. http://doi.org/10.14198/MEDCOM000016
McKay, C., Pate, J., Mirabito, T. & Anaza, E. (2022). Engaging with wheelchair basketball: Analyzing viewer attitudes and actions toward “The rebound: A wheelchair basketball documentary”. Sport in Society, 25(5), 963-981. http://doi.org/10.1080/17430437.2020.1816964
Méndez-Rubio, A., & Lizaga, J. (2020). Olympic fascism. The relationship between sports spectacles and mass propaganda. Revista Latina de Comunicación Social, 75, 69-96. http://doi.org/10.4185/RLCS-2020-1417
Menéndez-Menéndez, María-Isabel, & Fernández-Morales, Marta (2023). Dama contra peón: La genialidad femenina en Gambito de dama. Revista Mediterránea de Comunicación, 14(1), 103-117. http://doi.org/10.14198/MEDCOM.23145
Mittell, J. (2015). Complex TV: The poetics of contemporary television storytelling. NYU Press.
Mittermeier, S. (2024). ‘What if Nora Ephron wrote a sports film?’: Ted Lasso and the intertextual frame of romantic comedy. The Journal of Popular Television, 12(2), 195-211. https://doi.org/10.1386/jptv_00124_1
Molina-Poveda, M.D. (2023). El bachillerato a través del NO-DO (1943-1975): La escasa representación de la etapa de las “élites”. FILMHISTORIA Online, 33(2), 285-312. http://doi.org/10.1344/fh.2023.33.2.285-312
Montero Ramos, J. (2023). Periodismo deportivo de cine: ética de la profesión a través de su reflejo en la pantalla y sus códigos deontológicos (Primera edición). Editorial Melusina.
Montero-Ramos, F. J., & López-Talavera, M. M. (2020). Sports journalism in fiction media: An ethical analysis oriented to the teaching of professional ethics. Estudios sobre el Mensaje Periodístico, 26(4), 1499-1512. http://doi.org/10.5209/esmp.69264
Montero-Ramos, F. J., & López-Talavera, M. M. (2021). Pautas de ética periodística en Sports Night de Aaron Sorkin: Una propuesta pedagógica. In E. Real-Rodríguez (Coord.), Comunicando lo esencial en la esfera pública: La ética y la deontología como garantía de la función social de los media y sus profesionales (pp. 417-433). Fragua.
Moreno Vitoria, L., Bianchi, P., Cabeza-Ruiz, R., & Moya-Mata, I. (2024). Análisis de la película Una segunda oportunidad: ¡Rivales!: El protagonismo de las adolescentes en el cine sobre deporte. En A. S. Jiménez Hernández, J. A. Quiroga Carreño, M. Vergara Arboleda, I. C. Castillo Contreras y L. Silva Rivera (Coords.), Educar para la felicidad (pp. 1218-1225). Dykinson.
Moya-López, D., De-Oliveira, J. & Mancinas-Chávez, R. (2024). Power and streaming platforms in sports: A structural analysis of DAZN as an online audiovisual creative industry. Revista Mediterránea de Comunicación / Mediterranean Journal of Communication, 15(1), 185-200. http://doi.org/10.14198/MEDCOM.25505
Neys, O. H., Gozillon, A., Juskowiak, H. & Brehon, J. (2025). Fiction or reality? What the movie Une belle équipe shows about women’s football in the Hauts-de-France region. Sport in Society. http://doi.org/10.1080/17430437.2025.2518098
Nolan, M. (2022). Cathy Freeman, reconciliation and the burden of history. Continuum: Journal of Media & Cultural Studies, 36(3), 429-447. http://doi.org/10.1080/10304312.2021.1998371
Oates, T. P. (2017). Football and manliness: An unauthorized feminist account of the NFL. University of Illinois Press.
Oroz, E. (2024). Balance and prudence (or diplomacy and modesty): The representation of the Sección Femenina’s sporting activities in the newsreels of early Francoist Spain (1938-1949). L’Atalante. Revista de Estudios Cinematográficos. https://doi.org/10.63700/1121
Page, M. J., McKenzie, J. E., Bossuyt, P. M., Boutron, I., Hoffmann, T. C., Mulrow, C. D., Shamseer, L., Tetzlaff, J. M., Akl, E. A., Brennan, S. E., Chou, R., Glanville, J., Grimshaw, J. M., Hróbjartsson, A., Lalu, M. M., Li, T., Loder, E. W., Mayo-Wilson, E., McDonald, S., ... Moher, D. (2021). The PRISMA 2020 statement: An updated guideline for reporting systematic reviews. BMJ, 372, n71. https://doi.org/10.1136/bmj.n71
Park, D. J. (2024). Reflection as a method: Asian racialization in white sport. Cultural Studies, Critical Methodologies, 24(6), 439-451. http://doi.org/10.1177/15327086241254814
Pater, D. L. (2020). Minimalism and animated performance in the documentary films of Mickey Dužij. In Proceedings of the 8th International Conference on Illustration & Animation (CONFIA 2020) (pp. 228-235). Instituto Politécnico do Cávado e do Ave.
Planella, J., Piquer, M. P., Bartoll, O. C. & Escalada, M. C. (2021). La visión de la discapacidad a través del cine. La película Campeones como estudio de caso. Encuentros: Revista de Ciencias Humanas, Teoría Social y Pensamiento Crítico, (13), 8-28. http://doi.org/10.5281/zenodo.4346136
Plaza, J. Ó., & Cortiñas-Rovira, S. (2023). La imagen en el cine y en el NO-DO del Atlético Aviación, el equipo militar del Franquismo (1943-1946). En A. Gómez Gómez, D. Acle & M. R. Carballeda Camacho (Coords.), Manipulación en imágenes visuales y sonoras en ficción y no ficción (pp. 231-252). Dykinson.
Pullen, E. (2022). Materiality, mediation and affective encounters: Rising Phoenix and the cultural representation of disability. International Review for the Sociology of Sport, 57(6), 845-862. http://doi.org/10.1177/10126902211032166
Quinn, E. (2023). Stoic bossgirl. In M. Baggett & D. Baggett (Eds.), Ted Lasso and philosophy: No question is into touch (cap. 18). Wiley-Blackwell. http://doi.org/10.1002/9781119891963.ch18
Radhakrishnan, P. & Ray, D. (2023). Playing it the nation’s way: Tradition, cosmopolitanism, and the native masculine of Hindi sports films. Contemporary South Asia, 31(4), 533-546. http://doi.org/10.1080/09584935.2023.2245345
Raj, S. J. & Suresh, A. K. (2024). Sports narratives and historical nationalism: Re-visiting the context and use of field hockey in Chak De! India. The International Journal of the History of Sport, 41(10-11), 1096-1109. http://doi.org/10.1080/09523367.2024.2406495
Rasmus, A. (2023). “Cobra Kai never dies”. In Adaptation and beyond (pp. 123-139). Routledge. http://doi.org/10.4324/9781003435839-10
Razack, S. & Joseph, J. (2021). Misogynoir in women’s sport media: Race, nation, and diaspora in the representation of Naomi Osaka. Media, Culture & Society, 43(2), 291-308. http://doi.org/10.1177/0163443720960919
Rek-Wozniak, M. & Wozniak, W. (2020). BBC’s documentary Stadiums of Hate and manufacturing of the news: Case study in moral panics and media manipulation. Journal of Sport & Social Issues, 44(6), 515-533. http://doi.org/10.1177/0193723519899244
Robinson, M. (2024). “This is my house now!”: Fighting with My Family, the female underdog and constructing a public history of WWE. New Review of Film and Television Studies, 22(1), 135-160. http://doi.org/10.1080/17400309.2023.2298644
Roșca, V. I., & Burnar, V. T. (2023). Meters wide: A failed mediatic annexation of sporting heroes during pandemic times? Proceedings of the International Conference on Business Excellence, 17(1), 1438-1448. http://doi.org/10.2478/picbe-2023-0130
Routray, S. & Gaur, R. (2025). A postcolonial feminist representation of motherhood in recent Bollywood sports movies. Women’s Studies International Forum, 109, 103062. http://doi.org/10.1016/j.wsif.2025.103062
Sánchez-Salcedo, J. F. (2024). Representations of Cali in documentary films of the nineteen-twenties. CS, (43), 02. http://doi.org/10.18046/recs.i43.02
Seibert-Desjarlais, S. K. (2023). Measures of success: Competing masculinities in Cobra Kai. Journal of Popular Film and Television, 51(2), 84-97. http://doi.org/10.1080/01956051.2023.2190075
Seliverstova, L., Samarina, I., & Levitskaya, A. (2022). The image of the USSR as a sports power in contemporary Russian audiovisual media texts. International Journal of Media and Information Literacy, 7(1), 210-220.
Sheppard, S. N. (2020). Sporting blackness: Race, embodiment, and critical muscle memory on screen. University of California Press. http://doi.org/10.1525/9780520973855
Sheppard, S. N. (2021). Glorious bones: Esmaa Mohamoud’s football fabulation. The Velvet Light Trap, 87(1), 69-72.
Sheppard, S.N., & Vogan, T. (Eds.) (2020). Sporting realities: Critical readings of the sports documentary (1st ed.). University of Nebraska Press. http://doi.org/10.2307/j.ctv13qfthk
Sudre, D. (2025). Representation of young sportswomen in cinema: From male domination to female devaluation. International Review for the Sociology of Sport. http://doi.org/10.1177/10126902251345327
Thomas, M. W. (2020). Contesting visions of Ethiopia in two Amharic sports films: Between film festivals and local commercial cinema. In S. Crosson (Ed.), Sport, film and national culture (1.ª ed., p. 18). Routledge.
Tiwari, S. & Shrivastava, G. (2024). A look at the hurdles faced by female athletes in sports-based films in Bollywood. ShodhKosh: Journal of Visual and Performing Arts, 5(4), 1064-1072. http://doi.org/10.29121/shodhkosh.v5.i4.2024.37201064
Tous-Rovirosa, A., Crisóstomo, R., Fedotova, E. & Ramajo, N. (2025). Queer and non-normative characters: Underrepresentation and clichés in contemporary sports TV series. Palabra Clave, 28(3), 1-31. http://doi.org/10.5294/pacla.2025.28.3.1
Tous-Rovirosa, A., Crisóstomo, R., Fedotova, E. & Ramajo, N. (2026). “Is it so bothersome that a woman has a senior position?”: False empowerment in the representation of women in sports TV series. International Journal of Communication, 20, 18-47. http://doi.org/10.65476/1hfcn722
Tous-Rovirosa, A. (2024). Male football comedy: A reappraisal of traditional, declassed, toxic masculinity. Historia y Comunicación Social, 29(2), 391-402. http://doi.org/10.5209/hics.95463
Tous-Rovirosa, A., Prat, M. & Dergacheva, D. (2023). The Hockey Girls: The creation of a new collective subject: Sisterhood and the empowerment of women. Feminist Media Studies, 23(5), 2063-2084. http://doi.org/10.1080/14680777.2022.2029526
Van-Sterkenburg, J. & Walder, M. (2021). How do audiences of televised English football construct difference based on race/ethnicity? Language and Intercultural Communication, 21(6), 765-780. http://doi.org/10.1080/14708477.2021.1979571
Vogan, T. (2025). Pukey jocks: BBS Productions’ Drive, He Said (1971) and the cultural revolution in sports. Journal of American Studies, 1-21. http://doi.org/10.1017/S0021875824000665
Wallace, B. (2022). Commodifying Black expressivity: Race and the representational politics of streetball. Communication and Sport, 10(6), 1053-1069. http://doi.org/10.1177/2167479520945222
Wright-Brough, F. & McGowan, L. (2021). Kicking, not screaming: An examination of football (soccer) and female footballers in Australian screen-based narratives. In S. R. Millar, M. J. Power, P. Widdop, D. Parnell, & J. Carr (Eds.), Football and popular culture: Singing out from the stands. Routledge.
Yadav, S., & Jha, S. (2025). Breaking through barriers: Empowering women through sports in recent Bollywood cinema. Quarterly Review of Film and Video, 42(7), 1687-1698. https://doi.org/10.1080/10509208.2023.2276642
Zarza Rondón, G. de Á. (2025). Del pibe al mito: narrativas fílmicas en torno a Diego Armando Maradona. Naveg@mérica. Revista electrónica Editada Por La Asociación Española De Americanistas, (35). https://doi.org/10.6018/nav.680041
Formato
Crossmark
Licencia
La revista Estudios sobre el Mensaje Periodístico, para fomentar el intercambio global del conocimiento, facilita el acceso sin restricciones a sus contenidos desde el momento de su publicación en la presente edición electrónica, y por eso es una revista de acceso abierto. Los originales publicados en esta revista son propiedad de la Universidad Complutense de Madrid y es obligatorio citar su procedencia en cualquier reproducción total o parcial. Todos los contenidos se distribuyen bajo una licencia de uso y distribución Creative Commons Reconocimiento 4.0 (CC BY 4.0). Esta circunstancia ha de hacerse constar expresamente de esta forma cuando sea necesario. Puede consultar la versión informativa y el texto legal de la licencia.
