Stories of Origins in the Athena Parthenos

Iconology of Erechtheus and Pandora

  • Lorena Valeria Abramovich Instituto Superior del Profesorado Dr. Joaquín V. González, Buenos Aires
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.5209/eiko.73476
Keywords: Athenian Identity, Democratic Myths, Pandora, Athenea Parthenos, Autochthony

Abstract

: In the Chryselephantine statue of the Parthenon two stories about the origins were symbolized: The first one was the beginning of the sexed humanity, represented by Pandora; the other story refers to the origin of the Athenian genos. The inclusion of the chthonic serpent had an intimate connection with the iconographic program of the Parthenon, a monument that celebrated the civic values and vernacular myths. However, the introduction of Pandora refers to broader Hellenic traditions, posing a more problematic question to be elucidated within this context. We postulate that the figure of Pandora is related to the myths of autochthony, and that she represents a counterimage of this Athenian claim. Pandora personifies the mythical origins of mankind, and Athenians separate themselves from this breed by appealing to the myth of Erechtheus, therefore they can build a different and superior genos. Athens rises from the very beginning, right from Erechtheus, above the line of Pandora.

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Published
2016-06-08
How to Cite
Abramovich, Lorena Valeria. “Stories of Origins in the Athena Parthenos: Iconology of Erechtheus and Pandora”. Eikón / Imago 5, no. 1 (June 8, 2016): 1–18. Accessed July 14, 2026. https://revistas.ucm.es/index.php/EIKO/article/view/73476.
Section
Papers

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