La ciencia-ficción distópica ante el franquismo: otro frente de disidencia
Abstract
Science-fiction was developed in Spain at the end of Francoism. Chiefly, the authors used to write short-stories. The dystopia was the main subgenre practised in their creations. In spite of the dystopian critical potential, these writers did not manage to organise a strong project of disagreement. The value as critic literature from these texts was suppressed by the two dominant speeches, the official and the other represented by the social novel.Downloads
Article download
License
In order to support the global exchange of knowledge, the journal Dicenda. Cuadernos de Filología Hispánica is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.




