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Vol. 46 No. 1 (2023): Imágenes para la ciencia: la divulgación científica a través del audiovisual. Historia, perspectiva y futuro
Vol. 46 No. 1 (2023): Imágenes para la ciencia: la divulgación científica a través del audiovisual. Historia, perspectiva y futuro
Published:
2023-01-25
Imagen de cubierta: JJ Ying, vía Unsplash
Prólogo
Foreword
José Antonio Jiménez de las Heras, Ricardo Jimeno Aranda, Mar Marcos Molano , Almudena Muñoz Gallego
1-3
PDF (Spanish)
Monography
Origins of the surrealist nature documentary in Jean Painlevé’s scientific films
Isleny Cruz Carvajal, Ignacio Martínez Armas
5-11
PDF (Spanish)
Biopics of scientists: A film-based approach to the history of science
José Manuel Estrada Lorenzo
13-23
PDF (Spanish)
The television what reflection of culture in the last years of the Francoism: analysis of literatura and its authors in the documentary series Biografía (TVE, 1967-1973)
Diego Núñez Encinar
25-32
PDF (Spanish)
Didactics, technology and commerciality. Interrelated approaches to science animation
Cristina Manzano Espinosa
33-41
PDF (Spanish)
Evolution of the documentary genre for scientific dissemination. Case study of the webdoc, Párkinson, let the road tremble
Antonio Gómez-Aguilar
43-50
PDF (Spanish)
Nonfiction transmedia narratives and science communication. Some considerations originated from the production
Sergio Fabián Romero
51-56
PDF (Spanish)
Science communication in video games: a case study of the game as a resource for scientific dissemination
Sergio Gutiérrez Manjón
57-65
PDF (Spanish)
Universities and social networks: From scientific dissemination to self-promotion
Maider Eizmendi-Iraola, Simón Peña-Fernández
67-74
PDF (Spanish)
Review of uses and strategies for scientific communication on YouTube of content generated by scientific institutions
Sergio Testón Martínez, Jordi Alberich Pascual
75-82
PDF (Spanish)
Media and Hypermodernity: The Emission Society and the Crisis of Alterity
Patricio Dugnani
83-90
PDF (Portuguese)
The use of photogram techniques as a means of documentation of historical objects and its application as artwork
Juan García Crego, Judith Martínez Estrada
91-98
PDF (Spanish)
Video art as a tool in the service of feminist criticism (1960-2000). Origins and evolution.
Isabel Sanz Morán
99-107
PDF (Spanish)
Miscellany
Documents from the archive as memory of women’s political participation in the Brazilian Military Dictatorship 1964 - 1985
Maria Ivonete Gomes do Nascimento, Eliane Braga Oliveira, Senhora
109-116
PDF (Spanish)
The police cinema of the Spanish post-war period (1939-1949): a reflection of the early Franco regime
José Luis López Sangüesa
117-123
PDF (Spanish)
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