Recording in the Ibero-American Context: Discourses, Practices and Repertories. Presentation
Agencies:
Este texto forma parte de los resultados del proyecto I D “La música como interpretación en España: historia y recepción (1730-1930)” (PID2019-105718GB-I00) financiado por el MCIN / AIE / 10.13039/501100011033.
Abstract
La grabación en el contexto iberoamericano: discursos, prácticas y repertorios
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Crossmark
Published
2023-12-19
How to Cite
Gonzalo Delgado, S., & Moreda Rodríguez, E. (2023). Recording in the Ibero-American Context: Discourses, Practices and Repertories. Presentation. Cuadernos de Música Iberoamericana, 36, 11-15. https://doi.org/10.5209/cmib.92465
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