De Berlín a Madrid, o la huella del teatro musical germánico en la obra temprana de Pablo Sorozábal Mariezkurrena
Abstract
This article aims to trace the influence of German music theatre from the interwar period on the stage music composed by Pablo Sorozábal Mariezkurrena (Donostia-San Sebastián, 1897-Madrid, 1988). This connection was barely implied by the composer in marginal declarations, and critics have only recently suggested it, yet it is a very plausible hypothesis, as Sorozábal’s extended stay in Germany (1920-1932) coincided with the rise of German Zeitoper and the beginning of his own stage career. By analysing certain musical and dramatic characteristics, the existence of these bonds of union will hopefully be proven.
Format
Crossmark
License
In order to support the global exchange of knowledge, the journal Cuadernos de Música Iberoamericana is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.
