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Comunicación y Género [Communication and Gender]
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Vol. 5 No. 2 (2022)
Vol. 5 No. 2 (2022)
Published:
2022-12-16
Artículos
Tensions from a gender perspective regarding the democratizing potential of free software
Cecilia Ortmann
085-094
PDF (Spanish)
Television series and memories of the recent past in Chile: Approaches from gender perspective and emotions
Lorena Antezana Barrios, Juan Pablo Sánchez Sepúlveda
095-104
PDF (Spanish)
Women's fashion entrepreneurship in Nicaragua. Evaluation of Integrated Marketing Communications
Ana González Ros
105-118
PDF (Spanish)
Disarticulating female representations: ways of constructing the meaning of being a woman from the video art practice
Silvia Gas
119-127
PDF (Spanish)
Decolonial Feminism and Film in Mexico. Towards a Situated Film Theory
Sofia G. Solís Salazar
129-135
PDF (Spanish)
Romance in the age of streaming: Netflix contents and consumption strategies
Yanet Martinez-Toledo, Ignacio Siles-González, Ariana Meléndez-Morán
137-146
PDF (Spanish)
Reseñas
Vara López, A. y F. Cuadrado Hidalgo, Hacia la recuperación de la memoria. Canon escolar y poesía escrita por mujeres (1927-2020), Universidad de Córdoba-UCO Press, Córdoba, 2021, 268 pp. ISBN: 9788499276533
Yunjin Tian
147-148
PDF (Spanish)
Eduardo Terrén Plaza
149-151
PDF (Spanish)
Serrano-Maillo y Martínez-Pastor, et. al. Herramientas para la alfabetización mediática de menores: guías para familias, docentes y jóvenes, Comunidad de Madrid, 2022.
Irene de Lamo Velado
153-156
PDF (Spanish)
The Wonder (2022). 108 minutos. Dirección: Sebastián Lelio. Coproducción Irlanda-Reino Unido. Element Pictures, Element, Irish Film Board, LSG Productions, House Productions
Anita Fuentes
157-158
PDF (Spanish)
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Vol. 1 No. 1 (2018)
Vol. 1 No. 2 (2018)
Vol. 2 No. 1 (2019)
Vol. 2 No. 2 (2019)
Vol. 3 No. 1 (2020)
Vol. 3 No. 2 (2020)
Vol. 4 No. 1 (2021)
Vol. 4 No. 2 (2021)
Vol. 5 No. 1 (2022)
Vol. 5 No. 2 (2022)
Vol. 6 No. 1 (2023)
Vol. 6 No. 2 (2023)
Vol. 7 No. 1 (2024)
Vol. 7 No. 2 (2024)
Vol. 8 No. 1 (2025)
Vol. 8 No. 2 (2025)
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