Diego Velázquez y la pintura oblicua de Juan Caramuel
Keywords:
Painting, Baroque Architecture, Caramuel, Velázquez, Oblique, Theory,
Abstract
The recuperation of a forgotten text by the Spanish theoretician Juan Caramuel de Lobkowitz on the art of painting and Diego Velázquez`s Portrait of Innocent X, allows for the analysis of some of Caramuel’s ideas on ancient and modern painting, in relation to the contemporary debate among Rubensistes and Poussinistes, and the art of Velázquez on the one hand, and Caramuel’s theories on oblique architecture and the need for adequacy between pictorial form and content, on the other.Format
Crossmark
Published
2008-10-28
How to Cite
Marías, F. (2008). Diego Velázquez y la pintura oblicua de Juan Caramuel. Anales de Historia del Arte, Extra, 257-277. https://revistas.ucm.es/index.php/ANHA/article/view/ANHA0808120257A
Section
Articles
License
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