Image, Reality, Modernism and Postmodernism in Spain: 1936-1939. A New Methodological Approach
Keywords:
Spanish Revolution and Civil War, worldview, myths-mythologies, hyperrealism, modernism, postmodernism, iconography, semiotic, imagery, archetypes, culture and society.
Abstract
From 1936 to 1939, Spain constitutes a per se phenomenon that, even though it has been copiously analyzed, lacks of a study that delves into the inspiring myths of the mass-slaughter and different forms of Revolution that took place through these years, as well as the worldviews to which the myths make reference. For building such a study it is proposed a semiotic lecture of the worldview’s imagery based upon its socio-cultural products, being these considered as signs of a language whose decoding will reveal those worldview’s original models.Format
Crossmark
How to Cite
Antón Salas, M. (2015). Image, Reality, Modernism and Postmodernism in Spain: 1936-1939. A New Methodological Approach. Anales de Historia del Arte, 24(Especial), 197-217. https://doi.org/10.5209/rev_ANHA.2014.v24.48701
Section
Articles
License
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