Laberintos y metamorfosis: Estéticas en tensión en Jorge Luis Borges y Silvina Ocampo
Keywords:
Labyrinth, Metamorphosis, Silvina Ocampo
Abstract
We propose in this study the confrontation of two mythemes that, following Foucault, articulate Occidental fabulation: the labyrinth and the metamorphosis, in order to demonstrate that the inclination for one or the other determinates a particular esthetic. For doing so, we will take Jorge Luis Borges’ and Silvina Ocampo’s works, though we will only carry out an exhaustive analysis of Ocampo’s work with structuralist and deconstructive tools, as well as some mythocritic elements.##submission.format##
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Published
2009-10-01
How to Cite
García, M. (2009). Laberintos y metamorfosis: Estéticas en tensión en Jorge Luis Borges y Silvina Ocampo. Amaltea. Revista de Mitocrítica, 1, 77-88. https://revistas.ucm.es/index.php/AMAL/article/view/AMAL0909110077A
Section
Articles | Thematic Issue
License
Amaltea. Revista de mitocrítica is an open access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the BOAI definition of open access."Full-text articles published in Amaltea. Revista de mitocrítica are open-access and published under a CreativeCommons License Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) http://creativecommons.org/licenses/by-nc-nd/4.0/deed.en. Reproduction, distribution or public communication of these articles with commercial purposes requires the Editor’s prior written. Redistribution for academic purposes is permitted, provided that the source and authorship are properly acknowledged, and that the journal is credited with the first publication, by adding a link to the journal's official URL. If available, the DOI of the article in question should also be included.
