BAT (Baidu, Alibaba, Tencent) as a post-shanzhai phenomenon: An analysis from the perspective of antifragility and modularization
- Lucía Benítez-Eyzaguirre University of Cádiz https://orcid.org/0000-0002-8879-7979
- Angel Gordo Complutense University of Madrid https://orcid.org/0000-0003-4493-2910
Abstract
Shanzhai refers to the production of mobile phones that imitate popular brands, a practice that became widespread in China around a decade ago. This form of production is characterized by modularity: the division of products into small independent components that make it easier to update and replace parts without affecting the whole. In this article, we analyze modularization as a post-shanzhai phenomenon in China’s largest technology companies – Baidu, Alibaba and Tencent (BAT) – in order to compare them to their Western equivalents: Google, Apple, Facebook, Amazon and Microsoft (GAFAM). Instead of exoticizing Chinese technological development or undertaking another postcolonial reading, we use the concepts of ‘boundary objects’ and ‘antifragility’ to put the revolutionary values that endure in post-shanzhai China (and elsewhere) into perspective. In addition, we conclude that a fuller sociohistorical understanding of the ambivalences of shanzhai may encourage more self-critical understandings of Western technological and digital developments.
Author Biographies
Profesora de la Universidad de Cádiz y coordinadora del Máster en Dirección Estratégica e Innovación en Comunicación. Formadora y consultora en comunicación, tecnologías e innovación, con perspectiva de género. Periodista y socióloga. Profesora Titular de Comunicación Audiovisual y Publicidad de la Universidad de Cádiz. Profesora del Máster de Marketing Digital y del Máster Gestión Estratégica e Innovación en Comunicación. Doctora por la Universidad de Sevilla. Premio Extraordinario de Doctorado de la Universidad de Sevilla y Premio RTVA a la mejor tesis doctoral de Comunicación. Máster en Tecnologías digitales y sociedad del conocimiento. Es experta en Realización Audiovisual y en Software Libre. Lucía Benítez-Eyzaguirre es miembro del grupo de investigación COMPOLÍTICAS, donde investiga la comunicación digital y los usos de la tecnología, desde una perspectiva de género. En el campo de la Comunicación para el desarrollo participa en proyectos de cooperación de investigación y de enseñanza del periodismo y las nuevas tecnologías en diferentes países de África y América Latina.
Angel Gordo is a Lecturer in the Department of Sociology: Methodology and Theory, at the Complutense University of Madrid (2002-present). He is the founder of the research group Cultura Digital y Movimientos Sociales. Cibersomosaguas (2002-present) and since 2011 he is Managing Editor of Teknokultura. He is a member of the Discourse Unit (Manchester University) and of the Instituto Complutense de Sociología para el Estudio de las Transformaciones Sociales Contemporáneas (TRANSOC)and International Research fellow at the Centro di Ricerca in Information Society Law (ISLC) Ángel Gordo’s background is in social psychology, philosophy, sociology and cultural studies, and a strong emphasis on advanced qualitative methodologies and research strategies allows him to combine academic rigor and methodological innovation to translate social rights and values into assessment and analysis of everyday technological issues and social relations. He continues to research technology and social change (especially digital surveillance and resistance). His academic work has been published in the fields of Social Psychology, Sociology, Communication, Science and Public Policy, Ethics and Information Technology, Environmental Studies, Sharing Economy, and in leading academic publishers such as Routledge/Taylor and Francis, Springer, Sage, Macmillan, Pearson and Free Association Books.
References
Abbas, Ackbar (2008). Faking globalization. In Andreas Huyssen (Ed.), Other cities, other worlds: Urban imaginaries in a globalizing age (pp. 243-266). Duke University Press. DOI: https://doi.org/10.2307/j.ctv11cw83k.14
Anderson, Chris (2012, June 22). How I accidentally kickstarted the domestic drone boom. Every industry has its garage-creation myth. Here’s mine, on the start of the personal-drone movement. Wired. https://www.wired.com/2012/06/ff-drones/
Arteaga, Félix (2019). Disrupción tecnológica y orden global. UNISCI Journal, 51, October, 109-128. https://doi.org/10.31439/UNISCI-60 DOI: https://doi.org/10.31439/UNISCI-60
Banco de España (2019). Informe trimestral de la economía española. Boletín económico 4/2019. https://www.bde.es/f/webbde/SES/Secciones/Publicaciones/InformesBoletinesRevistas/BoletinEconomico/19/T4/descargar/Fich/be1904-it.pdf
Benítez-Eyzaguirre, Lucía (2019). Ética y transparencia para la detección de sesgos algorítmicos de género. Estudios sobre el mensaje periodístico, 25(3), 1307-1320. https://dx.doi.org/10.5209/esmp.66989 DOI: https://doi.org/10.5209/esmp.66989
Benítez-Eyzaguirre, Lucía (2021). La intermediación invisible: la política oculta del software. In García Orosa, B. (Coord.), Ciberciudadanía. Retos en la democracia digitalizada (pp. 137-172). Comunicación Social Ediciones y Publicaciones.
Carreño, Montse (2017). La potencialidad de lo falso y la cultura shanzhai. Inmaterial. Diseño, Arte y Sociedad, 2(4). 49–73. https://doi.org/10.46516/inmaterial.v2.37 DOI: https://doi.org/10.46516/inmaterial.v2.37
Chen, Julie Yujie (2020). The mirage and politics of participation in China’s platform economy. Javnost—The Public, 27(2), 154–170. https://doi.org/10.1080/13183222.2020.1727271 DOI: https://doi.org/10.1080/13183222.2020.1727271
Chen, Julie Yujie, Zhifei, Mao, Zhifwi & Qiu, Jack Linchuan (2018). Super-sticky WeChat and Chinese society. Emerald. DOI: https://doi.org/10.1108/9781787430914
Chen, Shin-Horng (2013). China’s good-enough innovation: Shanzhai handsets and shanzhai economy. In Philip Cooke, Glen Searle and Kevin O’Connor (Eds.), The economic geography of the IT industry in the Asia Pacific Region (pp. 169-188). Routledge. https://doi.org/10.1093/jeg/lbu004 DOI: https://doi.org/10.1093/jeg/lbu004
Chubb, Andrew (2015). China’s shanzhai culture: ‘Grabism’ and the politics of hybridity. Journal of Contemporary China, 24(92), 260–279. https://doi.org/10.1080/10670564.2014.932159 DOI: https://doi.org/10.1080/10670564.2014.932159
Corral-Hernández, David (2020, Septembre 29). 5G, una carrera por la hegemonía y el futuro con muchos beneficios. Atalayar. https://atalayar.com/content/5g-una-carrera-por-la-hegemon%C3%ADa-y-el-futuro-con-muchos-beneficios
Creemers, Rogier (2018). Disrupting the Chinese state: New actors and new factors. Asiascape: Digital Asia, 5(3), 169-197. https://doi.org/10.1163/22142312-12340094 DOI: https://doi.org/10.1163/22142312-12340094
Cui, Xi (2012). Discourse on shanzhai cultural production in Chinese newspapers: Authencity and legitimacy. Chinese Journal of Communication, 5(4), 399–416. https://doi.org/10.1080/17544750.2012.723385 DOI: https://doi.org/10.1080/17544750.2012.723385
Davis, Mark & Xiao, Jian (2021). De-westernizing platform studies: History and logics of Chinese and US platforms. International Journal of Communication, 15, 103-122. https://ijoc.org/index.php/ijoc/article/view/13961
De-Rivera, Javier (2021). Crítica de la economía colaborativa. Análisis del modelo y sus alternativas desde una perspectiva sociológica. CSIC. http://ipp.csic.es/es/book-volume/critica-economia-colaborativa-analisis-modelo-alternativas-perspectiva-sociologica
Dong, Ming (2015). Catch-down innovation, imitative entrepreneurship and shanzhai production in China. In Tony Fu-Lai Yu & Ho-Don Yan (Eds.), Handbook of East Asian entrepreneurship (pp. 45-57). Routledge.
Foucault, Michel (2005 [1970]). The order of things: An archaeology of the human sciences. Routledge.
Gordo, Angel (1996). The rhetorics of gender identity clinics: Transsexuals and other boundary objects. In Gill Aitken, Pam Alldred, Robin Allwood, Tom Billington, Erica Burman, Brenda Goldberg, Colleen Heenan, Angel Gordo, Debs Mark and Sam Warner, Psychology discourse practice: From regulation to resistance (pp. 177-200). Taylor & Francis. https://typeset.io/papers/the-rhetorics-of-gender-identity-clinics-transsexuals-and-3l0svdqtyu
Gordo, Angel (1995). Gendered psy-techno-complexes: The dynamics of boundary objects [Tesis Doctoral]. The University of Manchester (United Kingdom). https://www.proquest.com/openview/5a327cddad095b54a79c0cb9b0bae79b/1?pq-origsite=gscholar&cbl=2026366&diss=y
Gordo, Angel & De-Rivera, Javier (2021). La economía de plataforma: un ecosistema social y políticamente degenerativo del empleo / The platform economy: A socially and politically degenerative employment ecosystem. In S. M. Ruesga, J. Baquero Jorge and L. Delgado (Eds.), Diálogos sobre socieconomía: Informalidad en América Latina (pp. 269-286). Tirant Humanidades.
Han, Byung-Chul (2017). Shanzhai: Deconstruction in Chinese. MIT Press. https://doi.org/10.7551/mitpress/11270.001.0001 DOI: https://doi.org/10.7551/mitpress/11270.001.0001
Hennessey, William (2012). Deconstructing shanzhai-China’s copycat counterculture: Catch me if you can. Campbell Law Review, 34(3), 609-660. https://law.unh.edu/sites/default/files/media/2018/09/hennessey-campbell-law-review.pdf
Ho, Josephine (2019). Creative ‘shanzhai labour’? In Jeroen de Kloet, Chow Yiu Fai & Lena Scheen (Eds.) Boredom, shanzhai, and digitisation in the time of creative China (pp. 171-185) Amsterdam University Press. https://doi.org/10.5117/9789462984745_ch2.2 DOI: https://doi.org/10.2307/j.ctvqr1bnw.14
Ho, Josephine (2010, June 18). Shanzhai: Economic/cultural production through the cracks of globalization. [Plenary Speech]. Crossroads: 2010 Cultural Studies Conference, Hong Kong. https://sex.ncu.edu.tw/members/Ho/20100617%20Crossroads%20Plenary%20Speech.pdf
Jiang, Min, & Fu, King-wa (2018). Chinese social media and big data: Big data, big brother, big profit? Policy & Internet, 10(4), 372-392. https://doi.org/10.1002/poi3.187 DOI: https://doi.org/10.1002/poi3.187
Keane, Michael & Yu, Haiqin (2019). A digital empire in the making: China’s outbound digital platforms. International Journal of Communication, 13, 4624-4641. https://ijoc.org/index.php/ijoc/article/view/10995/2803
Keane, Michael & Zhao, Elaine Jing (2012). Renegades on the frontier of innovation: The shanzhai grassroots communities of Shenzhen in China’s creative economy. Eurasian Geography and Economics 53(2), 217. https://doi.org/10.2747/1539-7216.53.2.216 DOI: https://doi.org/10.2747/1539-7216.53.2.216
Keane, Michael (2013). China’s new creative clusters: Governance, human capital and investment. Routledge. https://doi.org/10.4324/9780203124505 DOI: https://doi.org/10.4324/9780203124505
Kloet, Jeroen de, Chow Yiu Fai & Lena Scheen (Eds.) (2019). Boredom, shanzhai, and digitisation in the time of creative China. Amsterdam University Press. https://doi.org/10.2307/j.ctvqr1bnw DOI: https://doi.org/10.2307/j.ctvqr1bnw
Kuang, Wenbo (2018). Social media in China. Springer. https://doi.org/10.1007/978-981-13-0914-4 DOI: https://doi.org/10.1007/978-981-13-0914-4
Lessig, Lawrence (2004). Por una cultura libre. Cómo los grandes medios están usando la tecnología y las leyes para clausurar la cultura y controlar la creatividad. Traficantes de sueños. https://traficantes.net/sites/default/files/pdfs/Por%20una%20cultura%20libre-TdS.pdf
Li, Ling & Zhou, Honggeng (2013). Manufacturing practices in China. International Journal of Production Economics, 146(1), 1-3. https://doi.org/10.1016/j.ijpe.2013.09.006 DOI: https://doi.org/10.1016/j.ijpe.2013.09.006
Liang, Lawrence (2009, July 20). Piracy, creativity and infraestructure: Rethinking access to culture. SSRN. http://dx.doi.org/10.2139/ssrn.1436229 DOI: https://doi.org/10.2139/ssrn.1436229
Liao, Sara (2017). Fashioning China: Precarious creativity of women designers in shanzhai culture, Communication, Culture and Critique, 10(3), 422–440, https://doi.org/10.1111/cccr.12170 DOI: https://doi.org/10.1111/cccr.12170
Lindtner, Silvia (2015). Hacking with Chinese characteristics the promises of the maker movement against China’s manufacturing culture. Science, Technology & Human Values, 40, 854-879. http://dx.doi.org/10.1177/0162243915590861 DOI: https://doi.org/10.1177/0162243915590861
Lipton, Zachary C. (2018). The mythos of model interpretability. ACM Queue,16(3), 1-27. https://queue.acm.org/detail.cfm?id=3241340 DOI: https://doi.org/10.1145/3236386.3241340
Manovich, Lev (2013). El software toma el mando. Editorial UOC. DOI: https://doi.org/10.5040/9781472544988
Meier, Leslie M. & Manzerolle, Vincent R. (2018). Rising tides? Data capture, platform accumulation, and new monopolies in the digital music economy. New Media & Society, 21(3). https://doi.org/10.1177/1461444818800998 DOI: https://doi.org/10.1177/1461444818800998
Negro, Gianluigi (2017). Internet in China. Palgrave Macmillan. DOI: https://doi.org/10.1007/978-3-319-60405-3
Pang, Laikwan (2012). Creativity and its discontents: China’s creative industries and intellectual property rights offenses. Duke University Press. DOI: https://doi.org/10.1215/9780822394587
Paradise, James F. (2013). The new intellectual property rights environment in China: Impact of two membership and China’s “innovation society” makeover. Asian Journal of Social Science, 41(3–4), 312–332. https://doi.org/10.1163/15685314-12341305 DOI: https://doi.org/10.1163/15685314-12341305
Parker, Ian (2007). Revolution in psychology: Alienation to emancipation. Routledge. https://doi.org/10.2307/j.ctt18dztgn DOI: https://doi.org/10.2307/j.ctt18dztgn
Riad, Lukas Adel (2021). A systematic literature review of shanzhai: An alternative approach to western-centric conceptions of innovation and making? [Master’s thesis]. Programme Technology Governance and Digital Transformation. Tallinn University. https://digikogu.taltech.ee/et/Download/592833b3-8e67-42a5-85bf-f297a33a7a87
Rong, Ke, Liu, Zheng & Shi, Yongjiang (2011). Reshaping the business ecosystem in China: Case studies and implications. Journal of Science and Technology Policy in China, 2(2), 171-192. https://doi.org/10.1108/17585521111155228 DOI: https://doi.org/10.1108/17585521111155228
Rouvroy, Antoinette & Berns, Thomas (2013). Gouvernementalité algorithmique et perspectives d’émancipation: Le disparate comme condition d’individuation par la relation? Politique des algorithmes. Les métriques du web. Reseaux, 31(177), 163-196. https://doi.org/10.3917/res.177.0163 DOI: https://doi.org/10.3917/res.177.0163
Sennett, Richard (1996). Flesh and stone: The body and the city in Western civilization. W. W. Norton & Company.
Sennett, Richard (2006). The culture of the new capitalism. Yale. https://www.academia.edu/31601730/Prof_Richard_Sennett_The_Culture_of_the_New_Capitalism
Sennett, Richard (2008). The craftsman. Yale University Press. https://archive.org/details/craftsman00senn
Shay, Jason, Shieh, Peter, Tsai, Ming-Piao & Cheng, Hsiang-Jui (2020). The emergence and growth path of shanzhai firms. Proceedings of Engineering and Technology Innovation, 14, 29-38. https://doi.org/10.46604/peti.2020.4064 DOI: https://doi.org/10.46604/peti.2020.4064
Spence, Jonathan D. (1990). The search for modern China (2nd ed.) New York: W.W. Norton Company. https://archive.org/details/searchformodernc00spen/page/n5/mode/2up?view=theater
Stallman, Richard. (1997) (2008). El derecho a la lectura. In Richard Stallman, Wu Ming, César Rendueles & Kembrew McLeod (Eds.) Contra el copyright (pp. 10-21). Tumbona Ediciones. https://libros.metabiblioteca.org/jspui/bitstream/001/352/4/978-607-7534-06-8.pdf
Star, Susan Leigh (1990). Power, technology and the phenomenology of conventions: On being allergic to onions. The Sociological Review, 38(1_suppl), 26–56. https://doi.org/10.1111/j.1467-954X.1990.tb03347.x DOI: https://doi.org/10.1111/j.1467-954X.1990.tb03347.x
Star, Susan Leigh & Griesemer, James R. (1989). Institutional ecology, ‘translations’ and boundary objects: Amateurs and professionals in Berkeley’s Museum of vertebrate zoology, 1907-39, Social Studies of Science, 19, 387-420. https://doi.org/10.1177/030631289019003001 DOI: https://doi.org/10.1177/030631289019003001
Stuart, Toby & Anderson, Chris (2015). 3D Robotics: Disrupting the drone market. California Management Review, 57(2), 91-112. https://cases.haas.berkeley.edu/assets/documents/sample-cases/2015_2_3D_5826.pdf DOI: https://doi.org/10.1525/cmr.2015.57.2.91
Taleb, Nassim Nicholas (2012). Antifrágil. Las cosas que se benefician del desorden. Paidós Ibérica.
Van Dijck, José (2016). La cultura de la conectividad: Una historia crítica de las redes sociales. Siglo Veintiuno Editores
Wallis, Cara & Qiu, Jack Linchuan (2012). Shanzhaiji and the transformation of the local mediascape in Shenzhen. In Wanning Sun & Jenny Chio (Eds.), Mapping media in China (pp. 109-125). Routledge. https://www.researchgate.net/profile/Cara-Wallis-2/publication/259258818_Shanzhaiji_and_the_transformation_of_local_mediascape_in_Shenzhen/links/00b4953b05ddd78ab2000000/Shanzhaiji-and-the-transformation-of-local-mediascape-in-Shenzhen.pdf
Wang, Bai-shi (2014). The rise of Mediatek: Disruptive innovation in mobile phone chipset industry. [Master of Science in Business Administration Strategy and Management in International Organizations]. Linköping University. https://www.diva-portal.org/smash/get/diva2:752493/FULLTEXT01.pdf
Wu Ming Collective (2005). Copyright y maremoto. In Richard Stallman, Wu Ming, César Rendueles & Kembrew McLeod (Eds.) (2008). Contra el copyright (pp. 23-34). Tumbona Ediciones. https://libros.metabiblioteca.org/jspui/bitstream/001/352/4/978-607-7534-06-8.pdf
Xu, Jian (2016). Shanzhai media culture: Failed intervention to the disingenuous neoliberal logic of Chinese media, Journal of Contemporary China, 26(104), 249-262. http://dx.doi.org/10.1080/10670564.2016.1223106 DOI: https://doi.org/10.1080/10670564.2016.1223106
Xu, Fangqi & Muneyoshi, Hideki (2017). A case study of DJI, the top drone maker in the World. Kindai Management Review, 5, 97-104. https://www.kindai.ac.jp/files/rd/research-center/management-innovation/kindai-management-review/vol5_6.pdf
Yang, Fan (2016). From bandit cell phones to branding the nation: Three moments of shanzhai in WTO-era China. positions, 24(3), 589–619. https://doi.org/10.1215/10679847-3618141
Yang, Fan (2015). Faked in China: Nation branding, counterfeit culture, and globalization. Indiana University Press. https://doi.org/10.1215/10679847-3618141 DOI: https://doi.org/10.1215/10679847-3618141
Yang, Fan (2009). The politics of exhibition. China’s ‘fake’ in the 2008 Beijing Olimpics. AntiTHESIS, 19, 56-70. https://www.academia.edu/1826987/The_Politics_of_Exhibition_Chinas_Fake_in_the_2008_Beijing_Olympics_in_antiTHESIS_
Yap, Chuin-Wei (2019, December 25). State support helped fuel Huawei’s global rise. The Wall Street Journal. https://www.wsj.com/articles/state-support-helped-fuel-huaweis-global-rise-11577280736
Ye, Lisha, & Yang, Huiqin (2020). From digital divide to social inclusion: A tale of mobile platform empowerment in rural areas. Sustainability, 12(6), 2424. https://doi.org/10.3390/su12062424 DOI: https://doi.org/10.3390/su12062424
Ye, Lisha, Dai; Yishu & Dong, Xiaoying (2022). The enabling mechanism of shuren culture in ICT4D: A case study of rural China. Technology in Society, 68, 101842. https://doi.org/10.1016/j.techsoc.2021.101842 DOI: https://doi.org/10.1016/j.techsoc.2021.101842
Yin, Yiyi & Fung, Anthony (2019). 2.1 new productive culture shanzhai or second degree of creation? https://www.degruyter.com/document/doi/10.1515/9789048535538011/html DOI: https://doi.org/10.1515/9789048535538-011
Yu, Haiqing (2015). After the ‘steamed bun’: E’gao and its postsocialist politics. Chinese Literature Today 5(1), 55–64. https://doi.org/10.1080/21514399.2015.11834073 DOI: https://doi.org/10.1080/21514399.2015.11834073
Yuefan, Xiao (2019). Maoism and disruptive creativity. In Jeroen de Kloet, Chow Yiu Fai & Lena Scheen (Eds.), Boredom, shanzhai, and digitisation in the time of creative China (pp. 186-210). https://www.jstor.org/stable/j.ctvqr1bnw.15 DOI: https://doi.org/10.2307/j.ctvqr1bnw.15
Zhang, Lin & Fung, Anthony (2013). The myth of ‘shanzhai’ culture and the paradox of digital democracy in China. Inter-Asia Cultural Studies, 14(3), 401–416. https://doi.org/10.1080/14649373.2013.801608 DOI: https://doi.org/10.1080/14649373.2013.801608
Format
License
In order to support the global exchange of knowledge, the journal Teknokultura is allowing unrestricted access to its content as from its publication in this electronic edition, and as such it is an open-access journal. The originals published in this journal are the property of the Complutense University of Madrid and any reproduction thereof in full or in part must cite the source. All content is distributed under a Creative Commons Attribution 4.0 use and distribution licence (CC BY 4.0). This circumstance must be expressly stated in these terms where necessary. You can view the summary and the complete legal text of the licence.








