Cristobal Holman-Smith S. “Did ever Spanish lady pace so”: National Identity, Gender Performance, and Metatheatre in John Fletcher and Philip Massinger’s Love’s Cure and Ben Jonson’s The Devil Is an Ass. Pygmalion [Internet]. 2025 Dec. 19 [cited 2026 Sep. 17];17:3-9. Available from: https://revistas.ucm.es/index.php/PYGM/article/view/104963